However great, omniscient, informative and even invasive Facebook may be, it is NOT the place for an acquaintance to make an announcement on behalf of an event the person usually has nothing to do with in organizing it. So it was that I had told a couple of inquirers that the open mic at the Ptit Bonheur la Chance bar was indeed happening last night after a single session break last Tuesday. And so it was I rushed down my dinner, rushed on some clean clothes that I ironed, rushed out the door and hurried up to the bar to find that it was closed.
Fortunately, I knew that although my night of giving entertainment had a fall-back in receiving entertainment just up the road at the WOS bar, where the host of the Highlander open mic, Thomas Brun, was giving one of his weekly concerts. There I met a friend who attends a few of the same open mics I attend, but she as a spectator only, and it was from her that I learned one of our mutual Facebook friends had announced the sudden and unexpected closing of the Ptit Bonheur la Chance.
It was not, I discovered, the person most likely to make that announcement – the MC – but this musician who plays there most weeks, and who IS a friend on Facebook. But unfortunately, Facebook just is not reliable enough to make that sort of announcement, so I and I guess a few of the other people who thought it was open – including those whom I told – will have showed up and found they wasted an evening. (I hope it was not something really serious that kept it closed.) The month of August in Paris continues its reputation as a dead month. Forget April, T.S., August is the cruelest month!
Well, no, it was not a wasted evening, in the end, as I did go and listen to Thomas Brun. And there I heard the one-man band playing practically nothing but songs that I never hear him play as the Highlander MC. I am continually amazed at this man’s repertoire. When I commented on it afterwards, Thomas told me that he had a whole lot of songs he did not usually sing to open the open mic at the Highlander because he did not want to get the crowd too excited, foot stompingly mad right at the beginning of the evening, with much thought of whoever might take to the mic right after him. IE, who might be a lot, lot more down tempo and romping. As I then said to Thomas, following him is a difficult task for any musician no matter what he may decide to play.