Brad Spurgeon's Blog

MILAN, Italy – I never expected going to the incredibly cool Nuovo Anfiteatro Martesana in Milan for a couple of shows with TAC Teatro that I would find myself in the same location of one of the city’s Thursday night music jam sessions open to all musicians and styles of music. But there I was, in this extraordinary location just a stone’s throw away from the now closed down Ligera bar where Ornella and I met nearly a decade ago, discovering that if one door closes another opens. Even when you forget half the lyrics to a song you have sung a million times and that you find yourself starting anyway….

Yes, what a great discovery was this jam session at the NAMA, as they call the place for short. And the environment helps the vibe: Outside, in this beautiful park by the canal, you find the amphitheater – where TAC put on two shows – but entering the heavy metal doors at the back of the amphitheater, you discover a whole underground world you never expected or suspected. And when I say “underground” I mean in two senses: The people that run this joint have a broad cross-section of associations and events, some of which clearly have an underground aspect to them. But the whole structure is also located underground, underneath the park above.

Brad Spurgeon playing the Jam at NAMA in Milan

As we arrived on the Thursday, but had not yet put on one of the TAC shows – “Les Oubliés du Demain,” and “Lysistrata” – I took the opportunity to play in the jam. The jam starts after 11PM every Thursday, and you bring your own instrument and play what you want, with other musicians present. I played my pop songs, with an electric guitar – because I did not have mine – and with a bass player and drummer. But there were at least three horn players, and a fabulous ethereal electric guitar player, and an Amy Winehouse kind of singer, all of which you can see in the videos.

I found myself feeling really free as I got up to the stage and began playing Mad World. So free, in fact, did I feel, that I entirely forgot the lyrics of the beginning of the song. But I had started going, had the musicians backing me, and hey, the audience was mostly Italians – except for the Russian who had curated the art show, and her other Russian friends – so I thought, what the hell. No one will notice. And I started with the second verse. Then I finished that, stopped, and told the audience I had in fact forgotten the whole first verse! And as I said it, the words returned, and I went right back to it and started the song all over again, from the first verse, but ending on that rather than repeating the second verse again! Somehow, it worked out wonderfully. You can see the moment in the short medley video I compiled of excerpts from the three songs I performed and post here.

Another at the NAMA Jam in Milan

A day or two later, I discovered ANOTHER Thursday night jam in Milan, but this time, I could not attend. I did, however, visit the location and stand on the stage, and boy, does this jam at La Cattedrale in Cusano Milanino look like an amazing thing to participate in. I will update my open mic guide to Milan, and add a bit more about that.

Nice horns at the NAMA jam in Milan

For now, never forget how to turn a screw up into an advantage – easier done at an open jam session than anywhere else, perhaps….

Ethereal guitar playing at the NAMA jam in Milan