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Finally, a New – for Me (and, in fact, its Patrons) – Open Mic Experience in Milan

December 17, 2016
bradspurgeon

Bachelite CLab Milano

MILAN – It has always been one of my greatest frustrations in my worldwide open mic travels that my annual visits to Italy coincide with the Italian equivalent of the French month of August vacation. That is to say, I always arrive in early September, when Milan is still in its annual June, July, August, September and October annual vacation. This is the period when all of the open mics and jam sessions in the city are closed down for the festive half year of inactivity that affects the entire city. Added to that is the fact that there just are not that many open mics in Milan. But now that I am in Milan for personal reasons in the month of December, I have finally been able to attend an open mic of a kind that I would never have attended before.

Having said that, the new open mic at the Bachelite CLab bar has only been going for a couple of months or so. But last night’s edition showed me that this must be one of the most fun, best open mics in the city. The bar is a lively, cool, stylish and easy going joint in the middle of a bunch of apartment buildings near the Porta Vittoria metro. The stage is not on the ground floor, but in a highly perched mezzanine above the bar and drinking area. This makes for a kind of area for the musician – complete with piano – that allows for a feeling of both complete freedom on your own as you perform, but also a contact with the audience below, any time you choose to connect with them with your eyes.
Italian song at Bachelite CLab

And you know they are listening when you see them looking up at the perch. The sound system is devotedly taken care of by the Doc – the guy who runs the open mic – and others, and there is a mic, a board to plug in several instruments, and it was no holds barred in terms of the kind of formation of musicians and the music. Both Italian stuff, and the usual U.S.-Brit-Canada whatever pop rock folk blues stuff….
Another bit at Bachelite CLab Milano open mic

Although it is completely an open mic, it is also totally open to the jam style of event too, where several musicians can go up and play with each other, as happened with me in a second set with a guy on a cajon.
Although I think that the open mic is supposed to go on officially until only around 11:30 – starting at 9:00 PM – last night they decided there were enough musicians and enough enthusiasm to keep going until 1 or 2 AM. The great sign of it all is that I cannot remember until what time we played. If that is not the highest accolade to an open mic, I don’t know what is!

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Breath-Holding Moment: From Japan to Paris to Milan to Austin, and from TAC Theater to Ligera to Stay Gold to the White Horse to Dozen Street

October 21, 2016
bradspurgeon

TAC Teatro

AUSTIN, Texas – In the last week and a half I have travelled from Japan to Paris (leaving out Dubai) to Milan and then back to Paris and then to Austin (leaving out Atlanta) and here I am in the sun in Texas after two musical nights with my friend from Paris who used to run the amazing Ptit Bonheur la Chance open mic…. Wait, let me backtrack. That’s the problem with these blog posts that cover a week and a half!!!!

So it all started off with the return from Japan, and a couple of nights Paris before I took a train to Milan to visit a friend. And there, two fabulous cultural experiences, one in the really cool TAC Teatro, founded and run by the amazing Ornella Bonventre, whom I met on my last trip to Milan in early September, and while I visited the Spazio Ligera! I wrote a big story about that fabulous night at Ligera, but had no idea it would lead to another visit, and the experience at the TAC Teatro, which is now located right next-door to Ligera.
Improv group at TAC Teatro

Last week, at the new location of TAC I arrived just in time to see the presentation of the teachers of the TAC of their upcoming year of instruction in the theater arts at TAC. There was a fabulous and fun improvisation group, that teaches improvisation, and which put on a small show that I caught bits of in video. Anyway, I’ll probably write more about TAC in the future, suffice it to say that probably this all-purpose theater is best summed up in the name, which is short for Teatro a Chiamata, which basically has to do with the “calling” of the theater. For Ornella, theater is not just about a stage and actors facing an audience; for her the stage, the actors and the audience are all one. And the brief look I had at TAC confirms that concept.
A Dario Fo moment at Ligera

After the evening of presentation of the upcoming courses, some of us went across the street and visited Ligera again. I had not been back since early September, and despite feeling quite wiped out, fatigued from a cold, I had my guitar with me, and although I didn’t really feel like playing, and the evening was more about drinking, carousing, and talking, suddenly, someone pulled out a guitar, and suddenly, there was again an ambience of music in the Spazio Ligera. A “pop-up jam session” dare I call it? It became absolutely impossible to refuse the idea of playing.
More of jam at Ligera in Milan

And this, by the way was the day after the death of Dario Fo, the Nobel Prize winning Italian dramatist, and the same day after the winning of the Nobel Prize by Bob Dylan. So after some of the people in the bar – including one of the owners – played a tribute to Dario Fo, it seemed normal, or inevitable, that I would play a Dylan song…. And that was the beginning of many more songs, and much more fun. I absolutely love the Spazio Ligera.
Another moment of the improv group at TAC Teatro

And then back to Paris before flying off to Austin and the meeting with Sundown

I took a train from Milan back to Paris, packed, then caught a very early morning flight to Atlanta and from there on to Austin, and no sooner had I got my rental car on Wednesday night than I drove off to meet up with my friend Ollie Joe Yaco of Ptit Bonheur la Chance open mic fame in Paris. Oh, and of “Some Girls” open mic fame in Paris. Oh, and of Sundown fame all over the world. I’m referring to the guy who I have mentioned for years on this blog, who ran those open mics, and who now has his band called Sundown. It turned out that Ollie was in Austin travelling around on what seems like his once or twice a year visit to the U.S. for playing music in some great cities like Austin and L.A.
First at Stay Gold

I think I had just missed him in Austin last year, so I was determined not miss him this year. He was doing a gig at a place in the east end of town, called Stay Gold. So I showed up for that, and from there he led me off to a very cool bar called the White Horse, which could not sound more British, or be more Austin-like. More on that place later, I think, but hearing and seeing Ollie playing his music in Austin was a fabulous moment – although in fact I arrived too late on Wednesday to catch his set.
Second at Stay Gold

But that was fixed by him inviting me to his next gig, at a place on East 12th Street, called Dozen Street, last night. In fact, Ollie got the stage for himself last night, and decided in his typical way to share it with friends. So it was that he did a nice set with both solo stuff, and guy on the spoons, and then the French barman at the Dozen Street bar, who played lead guitar for him. I played a short set, and two fabulous women singer songwriters played sets as well. Those the completely opposite style performers Alison Gail Self and Cari Q.
Four handed piano moment at the White Horse in Austin

The Dozen Street bar has existed for about two years, and it is one of the many long, long bars with a back stage and a back courtyard of a type I’ve seen spotted all about Austin. The evening finished off with another band that had nothing to do with the rest of us, and which went on until quite late, I think. Very cool, all together, very very cool. A kind of evening that really makes you realize just how unique and cool Austin is musically. This kind of thing is just going on all over the city. It can take a while to find the hot spots, in fact, but once you do, you realize they are all over the place.
Sundown and spoons

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Sundown and spoons and lead

Sundown solo

duet with ollie sundown at Dozen Street

fourth at dozen street

Third at dozen street

Group at Dozen street

The Crazy Open Jam of the Spazio Ligera – Finally a Cool Music Scene in Milan

September 3, 2016
bradspurgeon

Spazio Ligera MILAN, Italy – The via Padova part of town in Milan, is apparently a little bit of the seedy corner of things. But I didn’t notice any of that last night as I took part in the coolest jam session I have yet been in in this otherwise not very musical – in the pop music sense – city. Oh, once upon a time I had another fabulous jam similar to this, at the anarchist’s club not far from the location of last night’s jam at the Spazio Ligera. And it should be no surprise, then, that the way I found out about this regular, if occasional, jam at this music bar/venue was thanks to my friend Emiliano Laurenzi – who plays the didgeridoo – the very man who had organized the anarchists’ jam at the Circolo Anarchico Ponte della Ghisolfa seven years ago!

Seven years between amazing jams? Of course, I’ve attended the blues jam at Frontera regularly since then, but that is a blues jam. The Chitarrata at the Ligera last night was a jam the likes of which I have only really run into before in Sao Paulo, with everyone gathering around a table and spread out throughout the café and playing whatever instrument comes to hand, with any song that they feel like. Last night I heard more Italian songs in one single night than I’ve ever heard anywhere, and they ranged from pop to rock to the song of the resistance against fascism. But there was also Bob Dylan, 4 Non-Blondes and everything you can imagine in between from the 60s on up to today.
Third at Ligera in Milan

Emiliano was there, too, with the most bizarre didgeridoo that I have ever seen: A mini, snail-shaped, or spiral, handheld didgeridoo that seemed to have a voice as big as the long, encumbering instrument we know so much better. There were at least four guitar players, a bongo, a kazoo and I don’t know what all else. And vocalists galore. Amazingly, I was never really intimidated by a situation that usually makes me feel a little ill-at-ease, playing with no microphone. But it was best to find a vocal that could be belted out very loud above the din of the joyous gathering of people at the Ligera.
Second at Ligera in Milan

The walls of this underground café are covered with photos and posters of crime movies, and other interesting pop culture phenomena – I also noticed some kind of Stratocaster hung up high on the wall above our head – and I regret that I missed my chance to delve into the cave to take a look at the regular concert space, which in the photos looks like a typical European vaulted cave room. (Think “Cavern Club.”) It is there that Ligera usually holds its gigs with local bands. On occasions when there is no gig lined up, they often decide to hold an open jam like last night’s on the ground floor of the bar.
Fifth at Ligera in Milan

Incidentally, the café is also called a 70s café, whatever that is. All I know is that it was a fabulous cross-section of people attending, and there was as much warmth coming from the jam as there was from the other people in the bar there just to talk, occasionally listen and occasionally sing. It completely and totally lifted my previous sense of Milan as a pretty stuffy place musically speaking into being as capable as any other city of having a very cool and musically vibrant scene.
First at Ligera in Milan

It also confirmed my desire NEVER to jump to conclusions about a city’s musical environment when I have a very poor grasp of the language and cannot therefore easily find the musical get-togethers. To say nothing of my unfortunate timing in Milan in early September when everyone and every venue is still contemplating summer at Lake Como or some cooler place. How could I possibly have found out about this “Chitarrata” without a little help from my friend….
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A Musical Experience in Milan – or Rather, in the Paddock at Monza… Joan Thiele

September 1, 2016
bradspurgeon

Joan Thiele MONZA, Italy – So far so horrible on the level of my open mic experiences in Milan. Followers of this blog will have noticed – or not – that in the last few years I have mostly been playing on Thursday night at a blues jam in a bar/restaurant called Fermento. Well, this year, this very night in fact, that jam don’t exist no more!!!! But I have had a really, really fun and very cool musical experience in Italy in the least expected of places: In the Formula One paddock in Monza, where I do my day job this weekend at the Italian Grand Prix. How so? It gets kind of long and complicated, so I’ll skip that for the moment, but let me just say that the experience was all about a mini-concert given in the motor home of one of the Formula One teams, by an Italian singer-songwriter by the name of Joan Thiele. I’ll try to get the rest of that story down here in as few words as possible, but that won’t be easy….

So it turns out that the Formula One team, called Manor, has as one of its sponsors, the music app called Shazam. And it turns out that Shazam is doing few little mini concerts around the world in conjunction with Formula One. (Does that sound like an alternative to the tiny desk concerts on NPR??!! In a way it is!) And it turns out that they try to use a local musician each time. So, as the PR woman at Manor knew that I was interested in music, she asked me if I had seen they were going to have a mini-motor-home-concert in Monza tonight. As it turned out, a sucker for the image of a microphone, I had indeed noticed this playbill outside the motorhome not three minutes before.
Joan Thiele – Save Me

So I went to the mini motorhome concert and found that, on the top floor of the motorhome – henceforth to be called a hospitality suite – they had set up a beautiful little playing area for the musician. There was a Fender Stratocaster, a ukulele, a couple of amplifiers, a microphone, and a mixing table. I felt envy and desire to go and play. Until I heard the musician, and said, no, I just want to listen to this. Enter Joan Thiele. What a mix of everything: A father who is Swiss, Italian, Canadian, Colombian, and who knows what all else, and Joan’s mother also a mix from one or two of those areas, and Joan having grown up partly in Colombia, but living in Italy now, and having spent two or three years in England, and learning her trade at open mics etc., this woman of – I think – 22 years old, got up with her Strat and used it as a kind of electro-music surrogate, and her voice too. Vocals that reminded me to a degree of Lana del Ray, and a sound that goes in that same direction – that’s my feeling, but there’s much more (in fact, I had a colleague who thought one of the songs reminded him of, “Down on my knees, I’m beggin’ ya…) – I listened quite hypnotised to the five or six songs she played. (Another colleague said she had Brooke Shield’s eyebrows.)
Joan Thiele – Taxi Driver

And I suddenly found myself forgetting I was in the Formula One paddock. As it turned out, I need not forget this: The Formula One paddock is a hugely diverse place. And it also turns out, then, that in that world, another of the reasons that we had Joan Thiele – who is working on her first album, and her A&R person from Universal Music was there with her – is also represented by Trident Management, which is a management and promotions agency that also owns one of the Formula One support race teams in the series known as GP2, the Trident Motorsport team. So it all suddenly fit together, in a way. Trident also represents two very well-know Italian musicians, Eros Ramazzotti and Jovanotti.
Joan Thiele – Hotline Bling

In any case, the other thing that fits together is that this being within the Formula One paddock, I, as a print media man with a print media pass, cannot use the video I made of Joan’s hypnotizing performance. The Formula One promoter sells audio visual rights to the television and radio companies for huge sums of money, and that then means that print media journalists cannot use any audio visual footage – or sound files – that they gather in the paddock, without fear of huge problems.

So my recordings will have to wait for the future. But in the meantime, I’ve decided to cut and paste some of Joan Thiele’s music videos that I find on the web into the blog to show who it was I got to hear and speak to today in the Formula One paddock and feel that from a musical point of view, my trip to Italy, even if it wreaps no musical stage-time for me, will have been fulfilling in another way! A nice discovery. Check her out, Joan Thiele.

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Worldwide Open Mic Journey 2014: The Multimedia Consolidation – Italy

September 10, 2014
bradspurgeon

Milan

My worldwide open mic journey began in China in 2008 after the Formula One race in Shanghai, and little did I know that it was a journey that would continue for six more years and cover most of the globe, every continent except Africa (where I once lived and played music in an open mic decades earlier) and Antarctica, and that it would spawn a book, a blog, an album, a documentary film, numerous podcasts, music videos and other multimedia projects.

This year, 2014, I have decided to finish all of the projects and tie them together into a consolidation of multimedia. As part of my personal impetus to gather it all together for myself, but also put it into perspective on this blog, I have decided to create a page for each city I have visited on the journey, tying together samples of the whole multimedia adventure linked to that city.

So here is the page devoted to tying together the pieces of the open mic adventure that I have lived in Italy since I first started. At each subsequent Formula One race that I visit this year, I will add a new such page. Keep posted….

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Worldwide Open Mic Thumbnail Guide: Milan Edition

September 8, 2013
bradspurgeon

Milan, Italy – For my 13th city installment of my worldwide open mic guide today I am loading my Milan, Italy page. As a reminder, it all started with my now very popular Thumbnail Guide to Paris Open Mics, Jam Sessions and other Live Music, and due to that guide’s success, I decided this year to do a similar guide for each of the cities I travel to during my worldwide open mic tour.

Musically, Milan in September is a Disaster

Milan? Home of La Scala, opera, classical music like you wouldn’t believe. Oh, jazz, too, why not? But folk, rock, pop, blues? Well, it’s not a world capital. In fact, this list is one of my least successful. Part of my problem is that I always visit Milan in the first half of September, and that coincides with the summer holidays in which so many Milan music joints are closed down from June to mid-October for the “summer.” Another problem is that a lot of jam sessions apparently take part in private associations where you sign up and play in private buildings and residences, and not so much in bars. Over the years I have performed at more open mics in Milan than I have listed here, but they were one-off events – such as an open jam at a circle of anarchists and another impromptu jam at the Leoncavallo public space, and also at another place, a karaoke that allowed me to play with my guitar. I am thinking that I should start a new section on these guides of places I have heard about but never made it to myself, since my short lists like this from my own personal experience can occasionally be limited:

Worldwide Open Mic Guide Philosophy

The only guide I am really in a good position to update regularly is that of Paris, since I live there. But I decided to do guides to all the other 20 and more cities on my worldwide open mic tour in order to give the knowledge I have personally of each city’s open mics. The guide has links to sites I know of local guides that may be more up-to-date, but I have chosen to list the open mics or jam sessions that I have played in myself. There may be others that I know of, but if I have not played there, I will not include it on the list. That way, the user learns a little of my own impressions. But I cannot be as certain that the guide is up-to-date – so check before you go.

So here, now, in any case is the Thumbnail Guide to Milan Open Mics, Jam Sessions and other Live Music. Please do help me whenever you have information to give me on venues.

Jamming Solo at Fermento in Milan

September 6, 2013
bradspurgeon

fermento milan

MILAN – Playing together with other musicians is the essence, even the definition of a jam session, and how it differs from an open mic, where individual performers may take to the stage and do their thing solo. But the one thing that an open jam and an open mic do share in common is that word “open,” and the musical freedom that it entails. Last night in Milan, the open jam session at the Fermento Art ‘n Pub proved to me once and for all that it is really, and truly open.

Last night was my fourth year in a row at which I have attended the Fermento jam during the weekend of the Italian Grand Prix in the nearby suburb of Monza. But it was the first time that I was invited by Lucio Omar Falco, the cool bass-playing MC and organizer of the jam to take to the stage all by myself with just my voice and guitar.

In fact, it was the first time I have seen any solo performance at the Fermento jam. Of course, wiser readers than I might interpret this as Lucio’s way of saying, “OK, Brad, we’ve heard enough of you in the past three years to know that we’d rather not play with you!”

In fact, no. I don’t think so, given that Lucio kept on signalling me on from the wings to do another song. In the end, I did four, two of my own and two covers. I probably chose badly the last one, “Wicked Game,” and depressed them all, and thus lost the stage. But it made my night.

No, wait. What also made my night was the level of the quality of the jam session, both with the regular musicians of Lucio’s band, and those of the participants.

I forgot to mention another thing on the “open” theme: Although this jam session is primarily blues-based, Lucio knows I don’t really play any classic blues, and he let me play anyway. And that’s another aspect of the “open” thing. There was a lot of the music that was more rock and even a little fusion jazz stuff. All in all, a fun night at a cool restaurant/bar and art space.

Jamming With an Anarchist on a Didgeridoo at the Leoncavallo Social Center in Milan

September 12, 2011
bradspurgeon

leoncavallo social center milan

The last thing I expected on my last night in Milan was to have a wonderful jam and an educational and cool cultural experience. But thanks to my friend Emiliano, the didgeridoo-playing anarchist, I had both – and more. We played for two or three hours at the Leoncavallo social center, which is one of the most important of these squat-like places (called a Spazio Pubblico Autogestito) that I will describe in a moment. Emiliano, I just wanted to mention, was someone I met two years ago in Milan during my first open mic adventure. Milan had proven to be one of the world’s most difficult cities to find a jam or open mic in, but it turned out there was indeed an open jam session on the Saturday night I was there, at the Circolo Anarchico Ponte della Ghisolfa, which is the longest lasting anarchist’s association in Italy.

That jam turned out to be a wonderful, almost family affair, in the association’s club locale on the Viale Monza, and there I met the former university professor, PhD and didgeridoo player Emiliano, and his wife Barbara. I won’t go into the details on that one, but simply say that when Emiliano learned I would be there again this year and was looking for a jam session, he decided to set one up at either the club or elsewhere. He chose the Leoncavallo social center, and so I got a history and culture lesson. The place, as I said, looks like a squat and reminds me of the Szimpla space in Hungary. There is graffiti everywhere, it has several different buildings, rooms, gathering spots. It has bars, computers for the public, baby foot tables, ping pong tables, gardens and massive gathering spaces.

The movement of the social center was born a few decades ago, particularly in the 1970s when there was a housing problem in Italy and people did not even have many of the basic needs either from a home or a community. So abandoned buildings were squatted and the social centers were born. The Leoncavallo is one of the biggest – Emiliano said it could hold thousands of people – and it had been closed down by the police periodically in its history. There seems to be some sort of legal status to these social centers, however, which makes them seem a little different than the squat.

In any case, Emiliano brought a couple of his didgeridoos and there was the bass player Fabio, another guy who dropped in to play didgeridoo alone with Emiliano – we had two going with my Borderline song – and Abdul and Willy – they are of Moroccan origin – played percussion, sang and played guitar. It was pretty wild playing Borderline in this situation, but we did some plain old jamming of the never-ending-song kind as well. Later, I interviewed Emiliano in a different room at the Leoncavallo for my film about open mics and jams around the world.

The total of my four night trip to Milan and Monza, therefore, came to two jam sessions in Milan, one at a bar and one at the social center, and playing in a restaurant in Monza with a band. Far, far more than I ever expected, and I revise my previous idea of Milan as being a city without live music jams and open mics!

Finally, Jamming at Fermento Art&Pub in Milan

September 9, 2011
bradspurgeon

So it took three visits over the least three years to finally find a bar with a bona fide weekly jam session. It turns out it has less to do with Milan being non-musical than to do with the city still remaining closed throughout the month of September for “the summer.” Two years ago the only open jam session I found was amongst the anarchists – and it was great – and last year all I found was a karaoke where they allowed me to play with my guitar. Last night, it was a hugely fun and cool and real jam session, the weekly jam at the Fermento Art&Pub.

Although I had fought through hours of web surfing and spoken to many people in the last three years, I never managed to find anything aside from the aforesaid anarchist jam and karaoke. Oh, I did see an open mic and a jam, but they were closed. Yesterday I managed to find a page that listed jam sessions in Milan, and I narrowed down my choice to Fermento, as the only other that seemed to be happening was more about jazz, Fermento was blues. Of the two, I figured I could find a place in the blues jam better than in the jazz one.

My choice was right. I managed to play “Mad World” and “Crazy Love” with the band, and we did O.K. The band, however, was very interesting. I could hardly have imagined that I would find that the lead guitar player, Fred Pierre Gustave, and the harmonica player were both Frenchmen. They were in fact invited as the feature band of the evening, playing along with a drummer and with the bass player who organizes the jam, an Italian named Lucio “Omar” Falco. Fred PG, as he appears to be sometimes known, is a hot lead player who likes the blues AND French gypsy jazz. He lives in Madrid and plays in Spanish bands, and also all around Europe. He’s on a little tour in Italy at the moment, in fact, and Fermento was one of the stops.

After the feature act – the French harmonica player did interesting French blues songs of his own writing, by the way – the stage was then open to other musicians and there were singers, bass players, harmonica players, drummers, lead players. The whole, real thing. It was so a wonderful evening that I was just buzzing and flying from start to finish. Got a little interview with Omar for my film, too. And they invited me to play with them in Monza tonight, so I could not have dreamed for more. Check in tomorrow to see how the Monza thing goes – if it goes.

P.S., I have once again a very slow internet connection so I have been unable to put up all the videos I wanted to put up.

Truncated Highlander Night, Milan-Bound

September 8, 2011
bradspurgeon

I went to the Highlander open mic last night but got there late and ended up about 15th on the list. So I listened to a few performers and left, deciding I would do better to have a good night’s sleep before my early flight to Milan, and the challenge of trying to find an open mic or open jam in this soul-less – musically – city.

I saw an interesting and different woman with a ukelele at the Highlander – Jessica – and left shortly after that. I did drop by the Mazet, not far from the Highlander, where before the summer they started another open mic on Wednesdays. I tried to persuade them not to take Wednesday again when they restart the open mic in the next week or two – but I don’t know if I succeeded. I suggested Thursday. After all, Paris has multiple open mics on Sundays, Mondays, Tuesdays and Wednesdays, and just one jam and a “live karaoke” on Thursday. So that is the ideal day. But bar managers all like to do the same thing – obviously relating to the amount of business they attract on a given day.

Having arrived in Milan, I seek desperately a jam or open mic. There are such things here, just not necessarily at this time of year, since the summer holidays extend right into October, it seems….