How’s the Family (cover) Photo Credit: ©David Douglas Duncan
PARIS – Readers of this blog might remember that just over a year ago I published a big feature article in The Village Voice about Elliott Murphy, a major singer-songwriter of the last half century, who gave up his life as a rocker in New York City for …life as a rocker in Paris. Murphy is a one of a kind who has had an atypical career that began with his first album, Aquashow, released in 1973, when he was hailed as the next Bob Dylan. Since 1989 he has lived in Paris and tours Europe year round serving his fans here, who have now supported him through not only the first four albums from major labels, but right up to his most recent, possibly his fiftieth or more, album, called Infinity. Now to get to the point of this impossibly long lede: (jump to the nut graf below):
Some months after my article about Elliott was published I decided – but not for the first time – to see if there were any of Elliott’s songs that I might myself be able to play on the guitar and sing. It was not an easy task – so deceptively simple can they be, as I discovered. Then, somehow, I managed to give a spin through one of the great songs of that first album, “How’s the Family.” I succeeded in finding adequate chords, and a key that suited my voice – that required a lot of trial and error. And the only thing that really stumped me was the vocals in the chorus.
That said, I was also conscious that my effort bore very little resemblance to the sublime original version Elliott did on Aquashow – and still does. But I had a feeling, a way to approach it, that made it feel to me a little more like some kind of crooner song and approach – with a bit of jazz and folk mixed in.
I recorded the song on my iPhone 13 Max in my living room – guitar and vocals. Then I had the crazy and somewhat presumptuous idea that I should send the recording to Elliott to see what he thought – and as a way to show my thanks for his creations. I excused myself over the vocals on the chorus, however.
To my enormous surprise, he wrote back and said that if I ever considered releasing the song, he would be happy to add some backing vocals on the chorus and a bit of harmonica! That was it. All the motivation I needed to do a proper recording in the studio and get this DONE! My first studio recording in a decade.
In short, I wasn’t going to let pass an offer like that. So I set about the recording: I went to Basement Studio in Paris, owned and operated by my old friend Nick Buxton, and he recorded me on my guitar and vocals. He did a rough mix of that, which I then decided to send to my childhood friend, Danny Colomby, in Canada. I have known Danny since I was at minimum eight years old. I have ALWAYS dreamed of doing a recording with Danny, but never felt up to it.
Danny is a musical wizard, and always was (in my eyes.) He is a magical bass player, who has played with legends. His first cousin was Rick Danko, bass player for The Band, while his father’s first cousin was Bobby Colomby, drummer for “Blood, Sweat, and Tears.” But beyond that, Bobby Colomby discovered Jaco Pastorius, the greatest ever electric bass player, and he produced Jaco’s first album. I especially love Jaco’s work with Joni Mitchell. So when Danny – who plays like Jaco – accepted to play along on this track, I was over the moon.
What I never expected was that Danny would put two different basses, including the fretless, in a beautiful backing melody, and some keyboards and percussion. And a great mix! Out of this world.
The ultimate moment was when I sent Danny’s mix finally to Elliott Murphy, and he not only returned it with his backing vocals and his harmonica, but also some Rhodes piano, percussion and guitar! What is so fabulous aside from Elliott’s musicianship here – that ethereal harmonica – is that he had the humility to contribute to a cover of his own song that is so different to the original, except for the obvious main melody and all the lyrics. (To start with, the tempo of my version is much faster than the original.). To accept that and to play his harmonica along with this different version is a testament to the depth of the man. Out of respect for him, in addition to my version, I am posting here below his own original from Aquashow.
How’s the Family by Elliott Murphy from Aquashow
I then sent it all back to Danny, who offered to do a final mix. Then, to seal the whole, I passed it all on to Ron Bousted at Revolution Mastering in the US, who had mastered my CD “Out of a Jam” a decade ago.
Finally and ultimately, after all this bla bla, give a listen to those extraordinary lyrics, written by a 24-year-old, more than 50 years ago, and that still ring true today.
My cover of “How’s the Family” is now posted and available for streaming or download at all the major music streaming services – Spotify, Apple Music, iTunes, etc., and in Spotify, in the link above. My plan now is to create a music video for it. So keep posted!
