I changed my program a little in Paris on Monday, visiting both the Coolin bar open mic and then the Galway Pub open mic, which I have not attended for a long time. Although I had fun things to do and sing in both places, please forgive me if that feels like 500 years ago and that I really want to talk more about Wednesday and Thursday night in Shanghai, China.
Fortunately my flight on Tuesday as in the afternoon, so I could do those two open mics in Paris, get home relatively early, sleep, and then spend the next more than 24 hours traveling to China by way of Dubai. I had about two hours sleep on the flight and immediately checked out upon arrival at my hotel in the Bund area of Shanghai whether or not the open mics I had done on the Wednesday night last year still existed. I figured that although I really wanted to go to bed, I would be far better off forcing myself to stay awake until late and especially, not missing the opportunity of an open mic in China.
I found out that one of them, Oscar’s Pub, no longer runs an open mic. But the other, the open mic at the Not Me bar, was advertised on the bar’s web site as happening that night. So I sped off to the Not Me, had a quick dinner of Shanghai braised porc at the Bao Luo restaurant and then went to Not Me. There was little waiting at the restaurant – a fabulous local icon of a place with huge high ceilings and voluminous dining room – and there was no waiting at the open mic either.
The Not Me is a superb bar that has not only a comfortable bar at the front, a lounge kind of room at the back, and an extensive club room in the back for DJs, parties, dance and other celebrations and inspired by the Cocoon club in Frankfurt.
The open mic has been going for just about a year, and I think I must have come to one of the first open mic evenings thee last year when I performed along with Sista Fay the Swede who I met in Paris and who was passing some time in Shanghai. This open mic is unusual in that the bar is owned and run by Chinese businessmen, and they have instigated the open mic even though they say it is not really part of Chinese culture. There is no MC, but anyone can come and play on a Wednesday night. I immediately played, in fact, I played two sets since it was not exactly overflowing with musicians.
Listen to the interview with one of the Not Me bar partners, Jacky, in my podcast interview, part of this year’s series of podcasts for the blog. Oh, and by the way, strange but when I introduce Jacky on the podcast I call the place the “Be There” bar, which is a Paris venue that I used to go to! You will actually hear me at the end give the place its correct name, “Not Me,” as well as asking Jacky for the meaning of the name….
Brad Spurgeon interviews Jacky, one of the organizers of the open mic at the Not-Me bar in Shanghai:
I was so pressed for time with all that travel and doing open mics that I had no time to write about Monday Wednesday nights’ open mics before I ran off to Bee Dee’s open mic/open jam last night. Bee Dee’s is run by an American, Jeffrey Davis, and is very much an American expat bar that might be located in the U.S. somewhere. But there is some Chinese clientele, and as a magnet for musicians, it also attracts some excellent Chinese musicians.
In fact, last night I almost immediately recognized the extraordinary Joe Chou even before he went up on stage for his set. I had met Joe Chou two years ago when I first started this blog, but I had met him at Oscar’s Pub and then played at his open jam session at the Melting Pot on the Monday. Joe had done some remarkable playing with my guitar, and he seemed to fall in love with it. Last night Joe tried it out again, as well as doing some of his very cool and deeply spaced-out stuff on a stratocaster. I wanted to play with Joe, and he had said we should, but we did not end up doing so.
Bee Dee’s just seemed to get better and better as the night progressed, and if I am still in Shanghai next Tuesday, which I am scheduled to be, then I will return again for more.