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Four Nights of a Week, Culminating in a Gig (And thence onward to Wynton Marsalis, the Olympia, the Giant, the Orgasmic Master and the Smelly Woman)

February 7, 2016
bradspurgeon

Wynton Marsalis

Wynton Marsalis

PARIS – Monday, Tuesday, Thursday and Friday. Those were the nights out this week. More than lately as I work on various personal projects and the blog gets left a little bit behind. Where I would have done four posts in the past, I’m doing one. Things will no doubt change as the projects I’m working on get caught up…. But in any case, it was a great four nights out and it varied from regular open mics to a cool new jam to an incredible concert at the Olympia by Wynton Marsalis and the Jazz at Lincoln Center Orchestra!
Someone at Bliss

On Monday I dropped off at an open mic that just began its second year: The open mic of the Bliss bar near Les Halles. This is a posh back room to a sizeable bar brasserie, and the sound system is great, there are lots of musicians, a jam feel to the thing, but ultimately also if you are into live karaoke – i.e., you sing but need a backup band – then this is also the place for you. They say they accept basically all styles, but from what I saw, the accent is on soul – maybe funk too. I’ll have to return to confirm, as I got there too late to get up on stage, and I only stayed for around three songs.
Group at Some Girls

Knowing I had failed to arrive early enough, I moved on fast to the Some Girls open mic on the Rue de Lappe, which is quickly becoming a personal favorite, and which is quickly become a personal favorite for many other musicians, I can see that! From there I went up the street to the Yellow Mad Monkey, but I was too late to play there as well, alas.
Someone at Some Girls

On Tuesday, I decided to drop over to the Zebre Rouge to see if the open mic was still happening there, as they now have a new open mic and jam on Thursdays. In fact, no. The old open mic was not happening, but there was a wild and cool jam in the basement. This was jazz, funk, far out stuff, sax players, drummer, guitar, bass, all sorts of mad stuff. Very free and easy and worth it if you want a classic cool instrumental jam.
Jam at Zebre Rouge

I went from there to La Féline to take part again in this, hopefully, growing open mic on the amazing stage of this popular bar near the Menilmontant metro. I know it would be a much wilder success already if it took place on one of the bar’s busier nights – but in fact the bar does not need the open mic on the busier nights, obviously, because the place is packed on those nights….
Another at the Feline

From there I wandered over to the Café Oz open mic where things were just booming. It felt at that time of around 10:30 PM as if the verdict is in and the old Coolin vibe – of one of Paris’s then best open mics now defunct – has now transferred to the Café Oz. Again, though, I was too late to get my name on the list. But I had a great time talking to friends….
One at the Cafe Oz

And thence onward to Wynton Marsalis, the Olympia, the Giant, the Orgasmic Master and the Smelly Woman

Thursday was the day of being a spectator, no playing music for me – although I still find it difficult to go somewhere as a spectator alone. And I must say, although attending a concert by Wynton Marsalis and the Jazz at Lincoln Center Orchestra was a musical experience I will remember for the rest of my life, the seating arrangement as a spectator was something that made the trip nearly persuade me that I never wanted to be a spectator again!
Threesome at the Feline

I bought a very, very expensive ticket of 90 euros in order to get as close as my bank account would reasonably allow, and I found myself in a triple disaster situation: Sitting two rows ahead of me was the tallest man in the audience, which blocked my view of the stage (which was still half the hall away). Sitting behind me was a man of perhaps 60, 65 years old who seemed to enjoy the music so much that during periods when the entire audience was quiet due to being enthralled by the virtuosos onstage – particularly during a solo, piano, sax, trumpet or other – the man seemed to have mini-orgasms, letting out high-pitched, rather feminine cries of joy that while intended for no one but him, seemed to come directly into my ear on every important note of the solo. But the final horror outweighed both the orgasmic master seated behind, and the giant seated in front. This was the woman sitting one seat away from mine on my right, who smelled of some absolute horror killing odor that was impossible to identify. As soon as she came in and sat down, looks from all around – including the orgasmic master right behind – centered on the woman and whatever her smell was. It was so bad that you gagged. In fact, I had to breathe through my mouth for the entire concert. Had she failed to correctly dry her coat after a wash, and it spoiled? Had she spilt milk all over the whole thing a few hours before and let it dry out? Did the putrid chemical smell in fact come from her???!!! It was this latter possibility that led me to hold my breath on speaking to the usher and asking that I be moved to some better seat – but the place was pretty much full….
Communal Well at les Agapes

But still, the concert was so good, I mean the music, that I had no regrets about my fluke seating situation. These were amongst the tightest playing, most modern jazz musicians I’ve ever heard live. My references range from seeing as a child or teenager both the Duke Ellington Orchestra (with Ellington) and the Count Basie Orchestra (with Basie) and this Lincoln Center orchestra with Marsalis was just so crisp and hot. The sound quality reminded me that however good recorded sound is, live sound is better. These people played those saxes and trumpets like they were keyboards – just astounding. Hearing the clarinet of Rhapsody in Blue in a live situation for the first time, was an amazing experience like few I’ve had before, musically. (And I even enjoyed the Tuba rendition at the end of the Jackson’s song “Blame it on the boogie.”)

Friday was more relaxed. I was invited to perform a gig, as a warm up act for a local Paris band of Americana and blues, called, The Communal Well. I had met one of the members a couple of years ago, and had been meaning to go for some time to see a gig. Well, when I announced my CD being out a couple of weeks or so ago, the guy invited me to perform as an opening act in a 30 minute set for them at show they were putting on at a bar/brasserie in the 16th Arrondissement in Paris, a restaurant called, “Les Agapes.” I jumped at the chance, asked Félix Beguin if he could join me on lead (yes, he said), and so went and had a fabulously fun 45 minute or so set just before the main act.
Another Communal Well at les Agapes

Communal Well were very cool, a cross between The Band and … their band…! Very much how they describe themselves, in fact: between Americana and blues, a little of both, and more. I took some short videos to put up here.
Woman singer with Communal Well

From there, I went on to celebrate the birthday of a friend, and we ended up, of all places, spending quite some time drinking down the Pigalle Country Club, which is where the photo on my CD was taken….
Yet another Communal Well

A fabulous week, all in all…. Oh, and now it’s time to go watch the Super Bowl. So excuse me….

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