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Three Open Mics in Austin on Monday Night – Mixed Reviews – And An Update of My Thumbnail Guide to Austin Open Mics

October 28, 2015

stompin grounds austin

stompin grounds austin

MEXICO CITY – I’m now writing this from Mexico City, my next step along this particular foray into the open mic world … or the world of the open mic… or the world of F1…. In any case, before I move on to talking about doing open mics in Mexico City, I want to just put the final touches to the visit to Austin, Texas. Monday night, my last night there, I managed to let loose and make up for all the lost time on the first night there: I performed at B.D. Riley’s on 6th Street, then dropped over to the Speakeasy, just around the corner, but found the usual open mic there had been moved to Ten Oaks, around the corner from that; then finished off at the famous, “Stompin Grounds” on South Congress.

But I’m running way ahead of myself here. The visit to B.D. Riley’s confirmed my feeling about this mainstay open mic in Austin: It is a lot of fun to play in front of the open window looking out onto the sidewalk on 6th Street and seeing if you can attract passersby into the bar. As far as trying to attract the attention of the pub crowd itself, well, it’s hit or miss. B.D. Riley’s is a massive pub that has a large section in the back behind the bar where people tend to go to eat a meal. But it also has tables, bar and chairs in the front of the pub, where people go usually to drink, carouse, maybe listen to music, maybe eat, maybe contemplate life.

There was a lot of all of that going on while I played, No. 5 on the list, and not really sure how well my sound was reaching the rest of the establishment. But the temporary fill-in host, Jake, did a great job, and I was really pleased and flattered to be asked to do a fourth song, since it had been three songs up to then. I was surprised a lot because at one point, in my frustration at feeling that I wasn’t reaching people – for one reason or another – I decided just to enjoy the situation, the location, the unique moment, and I turned my back to the audience on my second song and looked up into the sky and out into the street, almost playing IN the street, out that huge front window that borders the stage.

Anyway, from there I moved on quickly – after my fish and chips and Kilkenny meal – to the Speakeasy, which is located just around the corner, on Congress, down the street, and where I had noticed earlier in the day that there is an open mic every Monday at 8 pm. But when I got there, I found a private group of tourists or something heading into the place and I asked the concierge if there was an open mic.

“Not tonight,” he said. “We have a private event. It is moved around the corner to Ten Oaks for tonight.”

So off I went to Ten Oaks, to discover that I had already played in an open mic at this bar either last year or the year before – and had not put it on my open mic guide list, because I was just too lazy to update and then forgot! – and that it was the same MC. The guy recognized me too, in fact, and said he is a subscriber to this blog. He said that he used to run the open mic there, but had dropped the work and was now just filling in since it was not running at the Ten Oaks.

It was already 9:30 at night, and he had a list of at least eight people, and he was only just setting up. So I was worried about my timing, and the possibility of getting on to do the Stompin Grounds open mic. So I told him that, and he suggested that I must NOT miss the Stompin Grounds, and he decided to send a text message to his friend, Raoul, who runs the Stompin Grounds open mic, to get my name on the list!

This was such amazing service, such a great way to feel welcome in the Austin music scene. I took a video of one of the musicians setting up at the Ten Oaks, and then I moved on to the Stompin Grounds by taxi.

When I got there, the place was just full of musicians, someone was playing, and the feel was one of the best I’d had all week in terms of a turnout at an open mic, and in terms of the quality, the vibe, the youthful enthusiasm… the hipness of the place, the presentation by Raoul… everything was just so RIGHT at the Stompin Grounds.

Until I got up on stage. In fact, until a guy before me got up on stage and half the people cleared out to take a cigarette because their friends had already performed. And by the time I got up, well, that huge audience of hip ‘n cool people had cleared out almost entirely to all the various places that are provided in order to escape the performer. (I’m talking about the terrace, the bar in the other room, another part near the door….)

So, yes, there were actually two people who remained for my second song: The guy due up after me, and the girl who had performed just before me. She may have seen that I was watching and listening to her closely, and taking videos, and maybe she felt the need to support me. Or maybe it was because she found it a better place to stay to send messages on her phone. Not sure why. I stopped singing my song for a moment and told her she was welcome to leave the room like everyone else, but I’m not sure she understood….

But what I realized when I looked back at my report about this place last time I played, is that now I can confirm that Stompin Grounds may be one of the coolest, hippest places to play in Austin, but if you don’t bring your fans, get ready for feeling pretty alone….

Of course, maybe I just sang and played total crap. But that’s not the way it felt.

Anyway, so ends my week in Austin, and I’m now also going to update and add a link here to my Thumbnail Guide to Austin Open Mics, Jam Sessions and Other Live Music.

PS: My internet connection at my hotel in Mexico City is too slow to upload the videos I took on my last night in Austin. So those will have to wait until I get a faster connection. Keep posted.

B.D. Riley’s Open Mic on 6th Street in Austin – and an Obnoxious Bartender at Friends

November 21, 2012

Austin continued to give me reason to believe it is both the weird capital and possibly the live music capital of the world. The good news, or rather, the GREAT news, was the fun, laid-back and simple open mic at B.D. Riley’s Irish Pub on 6th Street. The bad news was the “Friends” bar next door – or rather, the bartender woman who proved to be very obnoxious.

I decided to go to B.D. Riley’s for no other reason than it was close to my hotel and located in the crazy center of the weird town, the vibrant 6th Street. I checked things out around the corner to find that the well-known and recommended “Hideout” open mic at 617 Congress was closed for the month for what appears to be renovations. But as soon as I walked into B.D. Riley’s, I felt welcome and ready.

It is just a classic Irish Pub of the kind you find all around the world. But the open mic takes place on a big stage at the front of the pub, overlooking the street. And with the large windows wide open, you know that you are playing not just for the pub patrons, but for the people walking by in the street.

Brad Spurgeon interviews Chris Olson, aka Johnny Fargo, the MC of the BD Riley’s open mic in Austin, Texas:

It is hosted by Chris Olson, aka Johnny Fargo, who used to host an open mic for around five years in L.A., and has now hosted this one for 5 years too. Check out my podcast with Chris, another in my ongoing series of podcasts. Unfortunately, because my computer broke down over the weekend, I lost my Audacity sound editor, and I just do not have the time to download another and do a proper edit of the interview. But aside from a few hesitations on my part, I think it holds together well as it is – it’s just a little heavy in bytes since it is high quality .wav and not the usual mp3….

I enjoyed several of the performers at B.D. Riley’s and I even managed to continue on my challenge of playing with a local musician in every country I visit. This was thanks to Chris being kind enough to ask Joe Gee if he would play with me, and Joe being kind enough to accept. We did Mad World, and it went over pretty well. Joe plays guitar and sings, as you can see in the video I did of him. But he is also a good jazz pianist.

It seemed that the night was just too good and without problems for this to be Austin – and judging by my experiences of the previous days. But that would soon change. As I left the pub with Joe I heard suddenly the sound of a guitarist in the bar next door, called Friends. The guitar caught my ear as it was Hendrix. But what caught my ear more, was that it was not JUST Hendrix. It was a great rendition of Hendrix, note and detail perfect…before it suddenly moved into a kind of Stevie Ray Vaughan sort of Hendrix. And of course, this is the home town of Stevie Ray Vaughan, and there is even a statue to him here.

Well Joe told me that this guitarist was named Eric Tessmer, that he was 30 years old, and that he could be playing anywhere all over the world if he wanted to, but tended to stay in Austin. Joe and I departed company, and as I started toward my hotel, the Tessmer guitar playing was just mesmerizing me. So I thought that with that Stevie Ray connection, I just HAD to get a bit of this on video for the blog. AND I just wanted to hear more.

So I quickly turned on the Zoom recorder and walked across the street, heading back toward Friends. I stopped in the door and recorded a lot of Tessmer from behind, before I decided I might as well enter – nothing held me back. So I went to the bar, holding my recorder all the time recording the blissful music, and when I found myself at the bar I thought I should do the decent thing and order a beer. (Remember that “fuck you!” violinist in Barcelona who was not happy I didn’t tip him? I had no change.) So I turned to the bartender woman and said I’d like a beer. All the while, I held the camera pointing at Tessmer, and recording.

“You know, that bag of yours is a little obnoxious,” said the bar tender woman.

You can hear this on the recording if you go right to the end. I was slightly in shock, because my guitar bag – she was referring to it being on my back – was not blocking the view of anyone standing at the bar. Of course, I had no plans to keep it on my back the whole time I was there, but it was clear that I was recording the guitar solo and would take it off when I finished that – or rather, when he finished.

“Ah, yes,” I said. “Well, I’d like an obnoxious beer, please.”

“When you take that bag off your back I will serve you the beer,” she responded.

I said, “Okay,” and I closed off my video recorder and walked out of the bar. I will not return. And once again I have found Austin WEIRD! I mean, HOW on earth can this be the live music capital of the world if a musician is treated like shit and insulted because he enters a bar with his guitar case on his back, and is clearly making a video of a performer – a fellow guitarist – so has not yet had a moment to remove the bag?

I have never in my life been spoken to with such arrogance and disdain because I had my guitar bag on my back in a live music joint!!! Or anywhere else, for that matter! (Except on flights when nervous stewardesses are convinced it’s a machine gun.)

It was rude, arrogant and above all obnoxious. And such a huge contrast to the style of the bar and above all the great music played by Tessmer, and the reputation of Austin as the live music capital of the world. Oh, it fit in perfectly with its status as being “weird.”

Don’t get the wrong impression by this post. I am not angry and frustrated by the woman’s reaction and nastiness. That’s more her problem and that of giving a bad image of the city. But I thought it was very much par for the course so far in terms of my strange mixture of experiences in Austin!

Tonight I head off for my final open mics in the city. I hope I find some, since the two or three best of them all that I had been recommended no longer run as of recent weeks or months. So I’m stepping out into the dark again….

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