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Rushing from the Rush to the Some Girls to the Galway on a Monday Night in June

June 30, 2017
bradspurgeon

Rush Bar open mic

Rush Bar open mic

PARIS – I can confirm on my second visit to the Rush Bar open mic in Paris that this place is really cool. As it turned out, I was late to arrive, and despite a very full list and an open mic that had to end precisely at midnight, the MC made room for me to play as the last man on the list, acoustic. It turned out to be a huge pleasure, despite my fear of confronting a large audience without a mic for the voice or amp on the guitar.
Third at the rush bar

That was the way I was treated personally, but the other positives were the huge crowd, the great vibe and a new batch of musicians I had not seen the last time I was there. In addition to a few of the same. The bar is soon going to have a new owner, and the new owner also happened to be there and assured us that there would be no change in the attitude toward the open mic.
second at the rush bar

So long live the Rush.

And I noticed that Charlie Seymour, the MC at the Rush, apparently used that word “rush” near the end of the night without noticing it, as he said they had to rush along and do only one song per person when near midnight in order to let everyone play. So it is that after using the silly pun in my post a couple of weeks ago, I could not resist using it in a different way in my headline above.
first at the rush bar

Yes, after performing in the Rush bar I was still hungry for more. So I rushed on over to the Bastille in cab, as it was only a few minutes away and I knew there was another open mic at the Some Girls bar.

And then it was off to the Galway Pub open mic

Unfortunately, when we got there, we found that that open mic had also ended some 20 or so minutes before. So it was that I decided to rush over the more distant Galway Pub open mic at the Place St. Michel, again in a cab. There, I found the stage occupied, and the wonderful Tess running the show as quietly and efficiently as ever, and she offered to let me play, despite her having already announced to the crowd that the open mic was about to end.
outside view at the Galway

I got to do four songs! And then it turned out another late-comer got to play as well. And so it was that the Galway open mic must have ended at around 1 AM or later. And once again it confirmed my warm feelings for this longstanding open mic in Paris, which has changed MCs three times since I started attending in 2008 or so, but which has maintained its quality and standards….

It was all worth the rush….

A Real Rush, at the Rush Bar Open Mic in Paris

June 6, 2017
bradspurgeon

Rush Bar open mic

Rush Bar open mic

PARIS – Last night was yet another example that you cannot write about something reliably if you have not experienced it yourself. That may sound like something so obvious it need not be said. But I must admit that I had begun to hear so often from disparate people about this new open mic in Paris at bar called Rush, that I was tempted to put it on my Thumbnail Guide to Paris Open Mics, and put a note that said I had never attended. But the principle of my list has always been – unlike many other such sites and lists – that I have to have attended the open mic myself. And so I finally got a chance to go to the Rush Bar open mic, and I can say that it would have been as huge, huge mistake to write anything about this open mic without having attended. It is simply the most fabulous open mic I have attended in Paris in a long, long time.

I was wondering when Paris might have a newcomer open mic to rival the great ones of the past (like Earle’s open mic that started at the Shebeen, moved to the Lizard Lounge and then to the Truskel, or like the Ptit Bonheur La Chance open mic), these places that attract a loyal crowd of spectators and musicians and almost feel like – or are – a scene. Last night I found a worthy successor to the best of them at the Rush Bar. And this open mic has only been running for 18 sessions, weekly, which brings it to what, nearly five months?
momentary glance of Charlie Seymour opening the Rush bar open mic

I found all the perfect ingredients at the Rush last night: A bar manager who loves the open mic and music – and no doubt behind him a bar owner – a fabulous, friendly and fair presenter in Charlie Seymour – a longtime Paris expat musician –, and finally, a locale of the kind that seem to always work: A very small, cosy room where everyone is tightly knit together before the stage area. Interestingly, the Rush Bar also has a couple of very cool cellar rooms, and a kind of back room, or secondary room on the ground floor, all of which could host the open mic.
Kinky one at Rush bar open mic

But I think in that immediate entrance room of the bar – that also contains the bar itself – they have found the best location for the open mic. Additionally, this open mic is located in a cool part of Paris, not far from the Bastille, about halfway to Republic. In other words, ALL of the important ingredients are there. And the result is that the Rush Bar open mic has attracted a loyal and very diverse group of spectators and musicians.
French one at Rush bar open mic

The sound system is great for the voice, and not bad for the guitar, and they are open to adding instruments like lead guitar and bass. The styles played last night run the full gamut from folk to pop rock and blues. The age of the performers and spectators also runs the full gamut, from 20s to 60s…at least I think so…! So this is not just a young scene, but a real, vibrant open mic with all sorts of nationalities represented as well: Brits, Irish, Canadian, lots of French, North African and who knows what all else!
Diggin for Gold at Rush

It’s interesting that the Rush Bar open mic has become such a clear success in such a short period of time. There has been apparently not huge labor to attract people to it, for as one spectator and participant said to me last night, there has been practically no internet campaign to make it known. I think it just lit up because Paris still needs great open mics – despite the many it has – and because, above all, of those essential ingredients I mentioned.
nice quiet one at rush

Oh, by the way, I was happy to play near the beginning of the night, because I got to do five songs, even though the usual number is 2 or 3. There were not as many musicians early as there turned out to be later – the place was packed! And I felt that the guitar that was already plugged in was good enough and I chose not to use my new D-42. It did, indeed, turn out fine. I felt great, and what I noticed above all is a detail I have not yet mentioned: The spectators were there to listen. Or if they wanted to talk briefly, they would do so outside the bar, on the street, or on the exterior tables.
Perry at Rush

A perfect open mic evening at the Rush bar. Or as I say in my headline, a real rush!!!
Great Beatles one at Rush

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