Brad Spurgeon's Blog

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“How’s The Family” Cover Song Finds its Family Footage, Finally!

August 3, 2026
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How's The Family video clip of Elliott Murphy cover by Brad Spurgeon

How’s The Family video clip of Elliott Murphy cover by Brad Spurgeon

After several months of searching, I finally found the film footage that I wanted to use to make a video clip for my cover of Elliott Murphy’s haunting song, “How’s The Family,” from his debut album, Aquashow, 1973.   Two years ago I wrote major profile of Murphy that was published in the Village Voice newspaper.  Many months later, having scoured his oeuvre to see if there was any song that I might be capable of singing and playing myself, I felt most at ease with “How’s The Family.”  Well, all except for perhaps the most vital, essential, and haunting part:  The chorus.

So one day, as is my wont, I recorded my guitar and vocal effort on my iPhone in my living room.  I pumped up my courage and sent Elliott Murphy this rendition, thinking he might like the homage.  But I also told him when sending it that I was not entirely comfortable with my execution of the chorus – and I here choose that word “execution” specifically and with care and with double intention.  To my great surprise and eternal gratitude, Elliott responded that if I ever thought of releasing the song, he’d help me with some vocals on the chorus.  I took that as my incentive to get in a studio as fast as I could.

“How’s The Family” cover of Elliott Murphy song by Brad Spurgeon 

I suppose it took many more months before I got in the studio, but let me just compress the tale at this point:  I recorded the vocals and guitar at the Basement Studios in Paris, with my friend Nick Buxton on the console engineering it.  Then I sent that off to my lifelong friend, Danny Colomby, a spectacular bass player and all round musician and composer now based in Callander, Ontario – up near the frozen tundra – and he added two different bass guitar parts – one fretless, the other not – as well as some keyboard additions, and some percussion.

I then sent that to Elliott, and he added not only those promised backing vocals on the chorus but his astoundingly beautiful harmonica melodies floating behind the whole.  (Actually, he also added some guitar and other keys, but I’m not sure how much of all of our stuff remains in the final mix – done so gracefully by Danny back in Canada again.)  I had the whole mastered by Ron Boustead at Resolution Mastering in Sherman Oaks, California, and then released the track to all the usual places last year.

“Crazy Lady” song by Brad Spurgeon video clip

All that remained then was to do a video clip, as I had said I would when I released the track.  But I had a specific image in mind and I could not find the footage.  I had first used the idea of finding old, public domain, movie footage from the internet to tell a song’s story with my own composition, “Crazy Lady,” about a decade ago.  There I had found a load of out of copyright sci-fi and other such B-film footage that worked beautifully.  A couple of months ago, I made a second such clip with my cover of Bob Dylan’s “Tangled Up In Blue” and based on some more black and white footage that I found from a single collection from Archive.org.

But for “How’s The Family” I had been searching for months and found nothing that really spoke to me … until last week when I stumbled upon another collection of black and white film footage in the public domain and again from Archive.org.  But this time, it was amateur, home movie reels from 1938 – 1939, all shot by the same guy in a town, Britton, South Dakota.  The home movies were shot by a guy named Ivan Besse, who ran the local cinema, and wanted to make a record of life in the town at that time, during the Great Depression.

“Tangled Up In Blue” cover by Brad Spurgeon

It felt evocative of the kind of story I visualize when I hear Elliott Murphy’s song, or when I play it myself and see the story unfold.  There were some five or six reels of footage to use and find the cuts from that I wanted for the song, and I also added another bit of old footage, that of the film “Jennifer,” a film starring Ida Lupino, which seemed to fit well visually and emotionally with the Besse collection and, above all, with the song.

So now I have a trilogy of songs I have performed put to old, black and white, public domain, footage.  I might stop that approach to music videos right now – or then again, I might not – but I wanted to put them all up on this post to keep them together.  And in addition to these three songs, I add the remastered version of Elliott Murphy’s original “How’s The Family” so that you can hear the original, legendary, and ethereal, chorus sung by Elliott. (Not to mention all the rest of it!)

Remastered version of Elliott Murphy’s original “How’s The Family”

“Tangled Up In Blue” In Black and White! – a Cover of a Dylan, and its Stock Footage Video

April 20, 2026
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Blood on the Tracks

Blood on the Tracks

PARIS – The other day I was searching through my personal computer archive for something completely unrelated when I noticed an MP3 file that had the name “Tangled Up In Blue.” That being one of my favorite Bob Dylan Songs, from my favorite Bob Dylan album, Blood on the Tracks, and the MP3 being clearly something that I had myself recorded once upon a time when I was myself tangled up in blue (this was in my 2010 folder), I decided to open it. What I found surprised me!

That last sentence is a classic “click bait” exercise of the kind I hate. And I usually avoid clicking on any headline that is clearly click bait, even if it is in a reputable web site. Here, I put it there not as bait, but just because it was true. I opened this 2010 recording that I had done in my living room in 2010 of a song that I had forgotten I ever even sang. I love the song, but I think I always felt that it was too long to sing in an open mic or solo stage performance in a bar. So I just kind of forgot about ever performing it again.

“Tangled Up In Blue” cover by Brad Spurgeon

But I had taken the time to learn it, and I had decided I would have fun recording it one night in my living room, probably on one of my Dictaphones used to record interviews for my journalism. In any event, when I listened to the MP3, I thought that my execution of the song – with what seemed like no errors in the lyrics – and a certain emotional appropriateness, was something that I would really like to share with people.

“Crazy Lady” music video and song by Brad Spurgeon

But the idea of posting an mp3 just did not sit well in this age of easy-to-make videos. So I decided to throw together a quick video for the song, just to get it out there. At first trying to use some of my own film footage from 2010, and personal photographs, and a few other simple, direct, nonsensical ways of stringing together a background to the song, I decided to check out the freely available stock footage of rights-free video that I could find on the internet. I had used this method for my own song, “Crazy Lady” — which I also post above as a reminder — so I knew it could work. I then found all this fabulous footage that really seemed to match the mood of “Tangled Up In Blue” and within a couple of hours I had finished the video and posted it on Facebook.

It reminded me that we do not always have to fret about and pain ourselves over the idea of how terribly difficult and complicated our efforts to create a music video has to be. As that old advertisement used to say: “Just do it!”

“Crazy Lady” – Second Song and Video of the Melodium Sessions in Montreuil & Mysterious Elsewheres

April 10, 2014
bradspurgeon

Crazy Lady

Crazy Lady

PARIS – A couple of weeks ago, while in Kuala Lumpur, I posted my first video and recording of the songs I recorded in the studio in February, in the post for “When You’re Gone Away.” Since then I have been working on the second video while I was in KL, in Bahrain and now in Paris (where I’m back again for a few days before taking off for Shanghai). I’ve now finished that second video of the five-part series of the five songs I recorded at the Melodium Studio in Montreuil outside Paris in February, I’m talking about the video for my song “Crazy Lady.” As with “When You’re Gone Away,” I recorded “Crazy Lady” along with my favorite lead player, Félix Beguin and drummer, Jeremy Norris – both of whom are in two excellent Paris bands, The Burnin’ Jacks and the Velvet Veins – and also with Scott Bricklin – a Paris expat musician originally from Philadelphia – on bass. Together, as I mentioned, we recorded five songs.

In the coming weeks I plan to continue making videos of these songs and releasing them, and then I plan to put out a CD of the whole, as well as others of my songs (and a wicked cover song). The videos will all be quite different; the first one I did while walking around Paris and being filmed by Raphaëlle, and adding two bits of “mystery footage” from the past and from elsewhere in the world that I took – see if you can spot it! This time, with “Crazy Lady,” I decided to have a completely different kind of fun doing a completely different kind of video to illustrate my song, drawing on black and white films from the public domain to try to illustrate this song with a story to tell that is a little tricky to illustrate otherwise!

The beauty of doing these recording sessions was the incredible cohesion and talent I was surrounded with in Félix, Jeremy and Scott and their wonderful arrangements and Félix’s mixing. All three have worked together extensively, and often at the incredible Melodium Studios, and of course, I have gigged with Félix regularly in the last five years. So it was all just so together.

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