England music | Brad Spurgeon's Blog

A Couple of Kunst (?!) in a Bunch of Kunst – A Sleaford Mods Doc

March 19, 2017
bradspurgeon

Sleaford Mods

COPENHAGEN – Rather than trying to look hip, cool and with it, I will admit here that before I stepped into the world premiere of Christine Franz’s film at the Empire Bio at the CPH:DOX festival last night I had no idea who the Sleaford Mods were. Then, as the film began, I quickly concluded that they were just a couple of kunst. As the film rolled on, the couple of kunst reminded me less of Derek and Clive, and more and more of the reason Britain voted for Brexit. And more and more, I grew to feel sympathetic and warm to the two stars of Bunch of Kunst, coming out feeling finally that I may not – as Iggy Pop says toward the end of the film – understand much of what they are saying (thanks to that strong British accent) but I can understand the reason they exist. And though I always thought the Brexit vote was an illness, I can now understand a little better through this film the nature of that illness.

Having said that, I don’t think the word Brexit was mentioned a single time in the film. And in a talk in the cinema at CPH:DOX after the film, Franz said she specifically did not want to make an overt political statement in the film. It turns out there has already been another documentary about the Sleaford Mods, called Sleaford Mods: Invisible Britain, and that one was very political. So no doubt Franz wanted to avoid what had already been done.

So who the fowk are the Sleaford Mods anyway??? Well, a couple of guys who had musical ambitions, one of whom played in several bands without success, the other of whom was a DJ doing his own thing. They met one night at a show, and the guy who speaks the rap and writes the lyrics, Jason Williamson, got together with the man who does the DJ thing, Andrew Fearn, and they began to do some shows in bars, raging against the machine that is working class life in middle England. At their home in Nottingham, they decided to set up a little studio and record some albums.
Bunch of Kunst Sleaford Mods trailer

This was in the late 2000s, and they stuck things out in bars for years, through failed album after failed album. Eventually, the chicken-factory worker – Williamson – (well, seems that job lasted six weeks) and the unemployed man, Fearn, met up with a guy who had a solid job, driving a bus for 14 years, and he became a fan and had a vision. These two modern day punk rappers, he thought, could get their act together and do something relevant and cool.

To draw the story short, they ended up doing bigger and bigger venues, finally playing in Glastonbury, and then, as the film shows, ultimately signed a record deal with the legendary Rough Trade label. (There is a shot at one moment that shows the first Rough Trade album, Métal Urbain, a French punk band of perhaps equally unlikely people in the 1970s, famous for a song called “Creve Salope,” (“Die Bitch” among others.) And, as I mentioned, the Sleaford Mods also ended up garnering the attention of Iggy Pop and many others.
Sleaford Mods video

The film was shot over two crucial years, from 2014 to 2016, and takes us from their lives in the pub performances to Glastonbury to the signing at Rough Trade.

What made these performers a success is clear: The nasty, angry, bad, expletive-full lyrics that speak the anger of the English working class in a language and emotion that they understand. “They speak for me,” says one of the gig-goers, a man who also appears to be in his 40s, like the two members of the “band.” But the language is so strongly couched in English argot that it is, as I said, nearly incomprehensible to an outsider – and that is also one of the main factors that makes it popular to its tribe.

And yet this deep-rooted cultural whatever did not stop the duo from gaining at first a slightly greater following in Germany before they developed one in England! (Which partly answers for the German director – although Franz also pointed out that she had attended Birmingham University, and so was steeped in a little bit of this culture herself.) We are also taken on a trip to see the German fans celebrate and react to the Sleaford Mods, and to sing along with their lyrics – which was as surprising to the Sleaford Mods as it was to anyone.

They are now about to embark on a visit to perform in the United States, and it will be interesting to see how they are received. While my first impressions were entirely softened by my “getting to know” these guys through the film, I still have to add that had I seen them in an open mic somewhere, anywhere, around the world, even in middle England, I am sure that I would have still had the impression that they were just a couple of kunst. Had I seen them in front of one of their raging audiences in England, on the other hand, I might have wondered what world I had stepped into … just the way I did when I saw my first ever performance by a punk band, the Viletones, in Toronto in early 1977. In fact, the ambience was very, very similar…and as I write these words, I realize it was exactly 40 years ago that I had that strange experience of seeing the Viletones in the Colonial Underground, and wrote about it the moment I returned home, as I did last night this post….

So if you want an experience like seeing the first punk bands in the 1970s, take a look at this film.

Follow @BradSpurgeon

Tales of Indian Food, Catweazles, Disappearing Money and Half Moons – First Night in Oxford

July 8, 2016
bradspurgeon

catweazle

OXFORD – For the first time since the first time, I was too late arriving in Oxford last night after working at the circuit to be able to sign up for one of my favorite open mics in the world. That is the Catweazle open mic in Oxford, which is unlike any other open mic anywhere. The only problem it you really have to be there around 7 PM to be sure of getting a spot on the list, lining up in the front hall and waiting half an hour until the real sign up time – and I got to Oxford after 8 PM. But I nevertheless made a short visit to the open mic, had 20 pounds stolen when I lost my wallet for a couple of minutes, and then I went on to the Half Moon open mic down the street and had the best time I’ve ever had there before….

And I must mention that I also ate one of the best Indian food meals I’ve ever had, with his huge prawn or gambas or whatever it was in some kind of Bangladeshi dish, and some nice Indian red and white wine, and great rice and wow! This must be the UK.
First at the Catweazle

Right after the Indian meal on the Cowley Road just around the corner from the East Oxford Community Centre, where Catweazle takes place, I decided to see if I could drop in for a bit to the open mic. I arrived precisely at the end of the mid-show break, and so I got in easily. In taking out my camera to make a couple of videos – you’ll see the uniqueness of the place – I dropped my wallet from my guitar bag without realizing it. Or maybe it dropped out as I left. In any case, I left without my wallet and noticed that it was gone, and then returned before leaving the place, and the wallet had been found and was returned to me. Minus 20 pounds! Damn! But thank goodness the pound went down so massively last week. I mean, had they not voted for Brexit, I’d have been out a lot more euros than I was! 😉 And anyway, I was so grateful the wallet was returned. Imagine if I had lost everything.
Second at Catweazle

And from Catweazle on to the Half Moon with ITS open mic

So, I decided to go on to the Half Moon pub just down the street that I knew also had an open mic on Thursday nights, and although I’ve probably been there almost every year since I started this open mic journey in 2009, it was the first time that the man who runs it was actually present. That is the cool lumberjack, Sparky, and I can tell you that when Sparky is there, the open mic is another affair…. Cool sound, nice ambience and a man who cares about his open mic – and who has been running it for maybe 15 years….
his mama at half moon

I came late, but he still managed to find a spot for me near midnight, and I was the last guest. A really funky pub, by the way. Really feels like someone’s living room. Oh, and back to Catweazle, what makes it so different? It’s a vast room, everyone is sitting on pillows on the floor or the few chairs and couches available, and there is a backdrop to the stage, and there is complete silence amongst the spectators. A religious appreciation of the acts, you can hear the proverbial pin drop. And a vast cross-section of talent from this great university town. Still one of the top of my list. Unfortunately, Matt Sage, the usual witty and fantastically adept MC was not there last night, and I much enjoy his patter. But the replacement was excellent, and obviously following to some degree the role model of Matt….
sparky poem at half moon

Follow @BradSpurgeon
first at half moon

P.S. By the way, the first time of the first time was the time in 2009, which was my first time…. (Does that sound like a sentence that Gertrude Stein might write?)

Worldwide Open Mic Journey 2014: The Multimedia Consolidation – Oxford Edition

July 14, 2014
bradspurgeon

Oxford

My worldwide open mic journey began in China in 2008 after the Formula One race in Shanghai, and little did I know that it was a journey that would continue for six more years and cover most of the globe, every continent except Africa (where I once lived and played music in an open mic decades earlier) and Antarctica, and that it would spawn a book, a blog, an album, a documentary film, numerous podcasts, music videos and other multimedia projects.

This year, 2014, I have decided to finish all of the projects and tie them together into a consolidation of multimedia. As part of my personal impetus to gather it all together for myself, but also put it into perspective on this blog, I have decided to create a page for each city I have visited on the journey, tying together samples of the whole multimedia adventure linked to that city.

So here is the page devoted to tying together the pieces of the open mic adventure that I have lived in Oxford since I first started. At each subsequent Formula One race that I visit this year, I will add a new such page. Keep posted….

Follow @BradSpurgeon

Astounding Night at Catweazle in Oxford – also a Warmup for F1 FanZone in London Tomorrow

July 4, 2014
bradspurgeon

catweazle

OXFORD – Arriving in Oxford yesterday for my coverage of the British Grand Prix in nearby Silverstone, I had written down on my mental agenda that there was no way in the world I would miss attending one of the coolest open mics in the world: Catweazle. Little did I know that it would be a classic edition, and that it would finish with a bang as the musicians of a traveling circus now in a stopover in Oxford decided to take to the stage to close off the night – and they drove everyone mad… mad enough for several to drop into a nearby pub afterwards, where the circus musicians could not resist another moment of music on the pub piano….

Catweazle has existed for well over 20 years, and it even spawned a few branch offices in places like London, New York and I think somewhere in Canada. I don’t know how many of those still exist, but the original one, here in Oxford, and run and MC’d by Matt Sage, is the one and only as far as I’m concerned.

What makes it so special? Like any successful open mic, it has to do with the MC and the location and the idea/approach/zeitgeist. Catweazle is run by the smooth talking, funny and worldly Matt – worldly, but very Oxford anchored…. The format is that anything goes, but that it is always done in a purely acoustic set up: no mics for the voice and no amps for the instruments. It’s also poetry, acting, comedy, whatever you want. The singers get one or two songs, the poets one or two poems. I’ve seen bands close off with more numbers when they are exceptional, and that turned out to be the case last night when there was a surprise visit by the musicians of Giffords Circus.

Giffords Circus is a classic European-style one-ring circus with a cross-section of typical acts, including clown, juggling, unicycling and animals. And the band is supercool. These three guys come from similar musical backgrounds, each with his own specialty. But the formation last night was acoustic guitar, percussion and piano and a little singing. Check out the videos – I could have been better placed, but you get a great idea of their wacky-coolness.

And Off to the F1 FanZone in London Where I’ll Perform a Set Tomorrow

F1 Fanzone stage in London

The F1 FanZone is a racing game, activity and live feed on large screens area that follows Formula One around the world at certain races – I’ve seen them in Abu Dhabi and Monaco and one or two other places – and this weekend they have set up the area at the Queen Elizabeth Olympic Park in London, where the Olympics took place. I’ve been invited to perform a set tomorrow, Saturday, at 4:55 p.m., and I’m very hyped up about it. The stage looks fabulous, as you can see in the photo on this page. There will be other very interesting acts, too, like Eddie Jordan’s band tonight, and the Duke beatbox band and another interesting electro-acoustic band from England called Skinny Living. (Jordan, by the way, is a former Formula One team owner who plays the drums and who has played around the world with the series as I have, but generally in much better circumstances than the bars I hang out in!)

Follow @BradSpurgeon

Worldwide Open Mic Thumbnail Guide: Oxford Edition

July 6, 2013
bradspurgeon

catweazle

For my ninth city installment of my worldwide open mic guide today I am loading my Oxford page. As a reminder, it all started with my now very popular Thumbnail Guide to Paris Open Mics, Jam Sessions and other Live Music, and due to that guide’s success, I decided this year to do a similar guide for each of the cities I travel to during my worldwide open mic tour. Unfortunately, due to lots of work and lots of travel and little time available outside of that, I did not manage to put up the Oxford guide while I was in Oxford last weekend, so I am putting it up this weekend – while I am in Cologne, Germany. Still, here it is – job accomplished!

Worldwide Open Mic Guide Philosophy

The only guide I am really in a good position to update regularly is that of Paris, since I live there. But I decided to do guides to all the other 20 and more cities on my worldwide open mic tour in order to give the knowledge I have personally of each city’s open mics. The guide has links to sites I know of local guides that may be more up-to-date, but I have chosen to list the open mics or jam sessions that I have played in myself. There may be others that I know of, but if I have not played there, I will not include it on the list. That way, the user learns a little of my own impressions. But I cannot be as certain that the guide is up-to-date – so check before you go.

Oxford the Student Town is a Great Place for Open Mics

Oxford is an amazing city for open mics because it is obviously one of the most important university towns in the world and therefore has lots of young musicians from all over the world – as students are often in the midst of their man musical creativity as well as being students. But in addition to the students are the crazy mad professors, and some of these open mics are spoken word meetings too, and so you frequently have university professor poets reciting their latest works. It is easy to walk from open mic to open mic, or take a bus, as Oxford is not all that large either. So there is a high density of open mics in a small area. My only problem regarding this list is that I am never in Oxford outside Thursday to Monday morning – still, there’s a good number during that time

So here, now, in any case is the Thumbnail Guide to Oxford Open Mics, Jam Sessions and other Live Music. Please do help me whenever you have information to give me on the venues – i.e., especially if they close down!

A Concert in Paris, a Catweazle in Oxford

July 8, 2011
bradspurgeon

As I write these words I am in rainy England, on another racing and open mic mission. Yesterday I made the mistake of taking the Eurostar instead of an airplane, so I lost so much time in my day that I could not post anything of the concert I did the night before in Paris.

(The Eurostar was fine, but the car rental operation was a failure as I ended up spending too much time driving from London to the Midlands, where the race is – in Silverstone – and my lodgings are, in Oxford.)

The concert was great fun, as I got to play along with my favorite lead guitarist, Felix Beguin, and even sang some songs with Vanessa, including our by now standard, “Mad World.” The concert was organized for me by Calvin McEnron, who also performed, and also had Felix accompany him on two or three songs. Felix really changes the texture of things, really gives drive and movement to the songs. Love it!

Oh, yes, and the concert took place at the Green Room bar in Paris, not too far from the Bastille. It is a very cool venue, a long room with a stage at the end and a not bad sound system – although in listening to the videos made of my stuff, I wish there had been more volume on the vocals (for the videos)…. 🙁

From there, it was right off to England the next day, and what turned out to be TWO open mics. I managed to do the Catweazle Club open mic at the Oxford Community Center AND the Half Moon pub open mic down the street. That was two completely different experiences. Catweazle is one of the most amazing open mics in the world, with a massively respectful audience that sits on the floor, on chairs, couches, and standing by the bar, and you can hear the proverbial pin drop. No joking.

The acts at Catweazle are often very original as well, and the open mic is done entirely in acoustic mode. Last night there were microphones, in fact, but they were there for a sound recording that was being done of the show. I was nervous as hell because this audience is so attentive, and because it is so rare for me to play without a mic that I feel less in control and aware of what I’m doing. But I got through my two songs, “Borderline” and “Except Her Heart,” and afterwards I received several compliments. So I felt I did okay.

I then went down the street and saw the Half Moon open mic in full swing and went inside and did a duet of two songs with Vanessa, “Mad World” and “What’s Up.” The Half Moon open mic is without mics too, and before we played, I said to Vanessa, “Listen, don’t worry and don’t pay any mind but no one will listen, and they will talk and make noise throughout. So just don’t take it personally.” I really felt it could be painful for her, as it is for me in those circumstances. Boy were we surprised when everyone shut up and listened and then began to sing along and clap and encourage and demand an encore after Mad World. They went through the same thing with What’s Up. And we were in bliss.

It just showed that there is always a right song and spirit for no matter what crowd, and we left there feeling like we had had the time of our lives thanks to the crowd at the Half Moon.

PS. I just realized that this year’s activity was almost a carbon copy of last’s year’s activity in terms of the concert and Catweazle for me and … Vanessa.

PPS. Unfortunately as often happens on these missions, my internet connection is slow as hell. So I may not get many – or any – videos up until late tonight or tomorrow. Please bear with me….