Brad Spurgeon's Blog

A world of music, auto racing, travel, literature, chess, wining, dining and other crazy thoughts….

Now, with the new Q3HD, my videos will be visible!

January 31, 2011
bradspurgeon

It’s true, I finally managed to buy the Zoom Q3HD video camera and it has all sorts of improvements over the Q3 that I have been using since the beginning of this blog, nearly a year ago. If that sounds like a television commercial, it’s not. But why not? I love the thing.

I bought it Saturday, used it Sunday for the first time, at my brunch at the Mecano and at the Be There open mic. So check out the videos below. Finally there Q3 has a control that allows it to see in the dark, more or less, so that horrible problem I have had of the nearly invisible videos has disappeared. They are now grainy, yes, but at least you can see the musicians as well as hear them. And the sound quality has also been improved with this Q3 going up to 98,000 hz and 24bit sound. (The other was 44 or 48 hz.)

The brunch started quietly, but picked up and there were a few new performers, and it was a great pleasure. At Be There I managed to get some videos where you can actually see this dynamic, young new band called La Ronge, that I already mentioned a few weeks ago.

A Squat, a Brunch and a Be There

January 17, 2011
bradspurgeon

I have reported in the past about a squat art space in Paris, it was called 0XIII and it ended up being raided by the cops and closed down. Well, it seems the same gang found another location, much more chic, much more private, and much more music-friendly.

This one is called 08, and it is located near the the Place de la Madeleine and Place de la Concorde. It is on several floors, and in the basement is a great area for bands to play, with even a way of people in the upper floors to look down and listen – as you can see from a few seconds of video I took of the drummer from above.

Among the bands were one of my favorite young bands in Paris, Mister Soap and the Smiling Tomatoes. And last time I wrote about these guys – playing at the OPA – I said every time I see them they improve. It has happened again. They’re getting some faster tunes and sounds in with the slower more romantic stuff – something I need to do myself. And they sound generally more together than ever. So what do they need to do now to advance? Well, as one spectator said to me, “the smiling tomatoes never smile….” No problem!@!!

There was another cool duo, a guy on drums and a man on vocals and guitar – very primitive drum beat manic stuff.

And I enjoyed – for a minute or two – the gypsy jazz trio just jamming on the first floor. In fact, I managed to borrow the guitar for one song of my own, which I apologized would not be manouche, and not manically fast…. But the lead guy played along with me, and I enjoyed blasting it out.

That was Saturday night. Sunday turned into a double-header as I did my brunch from 3 PM to near 7 PM and I then went to an open mic I had long heard of but never visited. The open mic was quieter than last week, but I enjoyed hearing Rym and Elise doing a duo, among other songs. I also enjoyed using my new vocal harmony machine, which splits my voice into three-or-so-part harmony, and adds some sorely needed depth on certain songs.

The open mic I mentioned runs on Sundays and starts around 8 PM, and it is in a bar called “Be There.” It is located on the Ile St. Louis, which makes going to it a certain pleasure if you are not in the habit of going to the Ile St. Louis – which is sort of out of the way, despite being right in the center of Paris.

The small bar on two floors is very open and kind to musicians, and I felt great and relaxed – and well-oiled after my brunch – and so I followed a full-fledged band with no problem at all. This open mic is interesting in that it DOES allow full-fledged bands. There is a drum set read at hand, an amp, PA system, a perfect set up for bands. And although the place is mostly about rock & roll, the open mic accepts all kinds of music, acoustic and other.

The one constant, however, is that “Be There” insists that musicians play their own compositions, not cover songs. I liked that, and I played “Since You Left Me,” “Borderline,” and “Let Me Know.”

For me the revelation of the evening was a band of young musicians from various suburbs of Paris. Called, La Ronge, the band had some original sounds, and some charisma. I thought this band could go places in the young band music scene in Paris. The keyboard player sang most of the songs, and had some charisma, but one of the guitarists who also sang was a little disadvantaged by less sound on his mic. A band to watch.

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