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Astounding Allman Brothers Dickey Betts Tribute Concert Film, and Another Thanks to the Inspirational Mark Greenberg

March 17, 2025
bradspurgeon

Allman Brothers Band in 1969

Dickey Betts 1978

Dickey Betts 1978

PARIS – I had to stop everything I was doing tonight when I saw that my friend Mark Greenberg posted a link to the full concert video of the Dickey Betts Tribute live in Macon gig that he played in on 28 February, last month. I had seen Mark mentioning this upcoming gig on Facebook for a while, but I never expected this concert to be as astounding as it is. I am posting the link so you can immediately drop everything you are doing, tune in and listen to the whole three hours of it – or, if you don’t immediately have that amount of time to spare, skim through and find the Allman Brothers Band songs you love the most and listen to those, then go back again. Spoiler Alert: The concert ends with “Ramblin’ Man!”

Dickey Betts, if you don’t know, was one of the founding members and guitarists of the Allman Brothers Band. And you will recognize which one when you hear his son’s guitar playing and vocals, especially on that aforementioned song, which was written and sung by Betts. He died at the age of 80 last April, and this memorial concert brings together not just his own son, Duane Betts, but other big stars and Allman musicians and family such as Warren Haynes, Chuck Leavell, Derek Trucks, Susan Tedeschi, Charlie Starr, Oteil Burbridge, Devon Allman.

Dickey Betts Tribute live in Macon

Just when I was feeling about as low as I ever could in my entire life about the United States, this film and concert has reminded me of one of the many things I love about the country. I won’t go into any detail anywhere about any of that, just take a look for yourself. This is a fabulous concert, especially if, like me, you love or grew up with the Allman Brothers Band’s music.

Mark Greenberg Drummer

Mark Greenberg Drummer

Mark Greenberg, whom I mentioned posted the link and is playing drums, is another inspiring part of my life. In 2011 when I was doing a week’s worth of open mics in New York City and he was running the Bitter End Jam, which he has done for almost as along as the Allman Brothers exist (exaggeration), I was about to walk out the door feeling way too intimidated to get on stage. He was standing on the sidewalk outside during the break, and seeing me walking out with my guitar he asked what was going on? (I must have signed a list to go up before this.) I came up with some lame excuse that had nothing do to with telling him I was actually scared shitless to go up with musicians of that quality, when he talked me into going up anyway. We worked out what the songs would be, he said they could do them, and up I went. Best moment of my time in NYC.

The next day, Mark gave me more of his time being interviewed on my cameras in his practice studio in the legendary Music Building, for my worldwide open mic film, Out of a Jam. Mark was one of the most inspiring of those I interviewed, and he appears throughout the film as one of the regular “talking heads.” All of this made seeing this film an emotionally moving thing. But there was more moving to it than you can yet imagine.

Seeing Mark in this Dickey Betts tribute, you will find him as one of three drummers always on the stage, and you will recognize him easily because he is the one with the shortest hair. When I interviewed him his hair was down to his shoulders. My bet is it will grow back there soon, but at the moment, Mark Greenberg has been going through treatment for pancreatic cancer, a disease that took his father’s life some decades ago. To see his optimistic and defiant, and joyful posts regularly on Facebook, and above all, to see him back on stage behind the drums at a gig like this, is yet another in the long line of inspirational things I now connect his name to.

Thanks Mark, and hope we get to play together again some day soon too! Maybe not in Macon, Georgia, where you played this concert – but why not Macon, France?

Allman Brothers Band in 1969

Allman Brothers Band in 1969

Happy End at the Bitter End

August 16, 2011
bradspurgeon

bitter end

bitter end

The name of one of America’s most famous music venues almost became the best description for my night out at the open mics last night. Thanks to Mark Greenberg, the guy who runs the Sunday night open jam session at the Bitter End, however, the night ended fabulously happy and on a high for me, and was not a bitter end.

In fact, it was a dream come true to play with a band at the Bitter End. This, remember, is a place in Greenwich Village where every musician and comedian that you can think of played since it opened 50 years ago. The list is too long, but ALL the names are on it, and you can see these performers on the site of the Bitter End. But of course I have to mention Bob Dylan, Simon and Garfunkle, Harry Chapin, Patti Smith, Woody Allen, Bill Withers, Stevie Wonder, Van Morrison, Joni Mitchell… okay I better stop.

Since the jam at the Bitter End doesn’t start until 10 PM, I first found a very nice and cozy open mic at a bar called Common Ground, at 206 Avenue A. There I signed up and played as the first guest. Each musician gets a 20 minute slot.

There I met a woman from Latvia named Dacesita, who would later show up at the Bitter End too, and who sings and plays keyboards. And I also met Ace Elijah, whom I had already seen play at Arctica last Wednesday. It IS a small world in this big city.

But I was NOT going to miss the Bitter End. So I left Common Ground just after 9 PM in a torrential rainfall. And that is when I began to get bitter. By the time I arrived at the Bitter End I was wet, head to foot.

Then I sat under an air-conditioning vent for a decent seat to see and hear the music. I was bitter again. Not to mention freezing. Then the house band came on to open up the jam session. That gave me another reason to be bitter: They were so damn good and tight and flashy and neat that I said, “There’s never going to be any place for me to play anything up there amongst these great musicians.”

But I loved the place. This is the high-ceiling room with the red brick wall backdrop to the famous stage. How could I not be touched? Say nothing of the ancient posters on the walls of people like Simon and Garfunkle and friendly bar service and a pretty good crowd of people.

The more the night went on, the more I felt there was nothing I could play at this jam. It just wouldn’t fit in, I’d be the laughing stock of the night. Moreover, the music leaned toward blues, rock, funk.

So I sat there for nearly three hours listening to these amazing musicians – I have learned today that Mark Greenberg’s CV is almost as impressive as the Bitter End’s, and the jam is an institution within the institution.

So after avoiding signing up to the list for as long as I could, I finally decided I would pack up and leave – near 1 AM. But I had heard two or three performances that made me think that maybe with a bit of a stretch of the imagination I could play something. I had heard a strange, original rendition of “Helpless,” the Neil Young CSNY song sung kind of jazzy. I had heard Sonny, some Hendrix stuff. And was I not in a place where Van Morrison had played? Why not “Crazy Love?”

But I justified myself and say, “Naw, forget it, you have to leave and just say, ‘This ain’t my kind of thing.’ Too bad I would not play in the legendary club, but you had to draw the line somewhere.

So I left with all my things, and Mark was standing out front talking to people on the sidewalk. He looked at me as I left and said, “Do you play?”

I expressed my fears that I wouldn’t fit in. He asked what I could do. I told him mostly ballads. Then I said maybe “Crazy Love,” would work. But I worried about how there was a bridge and a chorus in addition to the regular verses and it could screw people up – the other musicians. He asked if I had any other ideas. I said, “Mad World.” It’s only the same chords more or less throughout, I said, telling him the simple chords. He said, “Do it.”

So I turned around and went back in.

So after another couple of songs, it was my turn. And it worked out phenomenally well. In fact, I loved it. The sound system was great – could have had a bit more monitor on the vocals – I could hear the band, they were tight and easy to play with (I was the weakest point) and the audience, I could see, was listening and appreciating.

In fact, when I finished, Mark and several people in the audience congratulated me. It had gone over well. I COULD play the Bitter End. And when I left, I was NOT bitter.

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