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Budapest to Paris Transition, From Szimpla to Sous Marin: But a Common Problem Linking Both Venues

August 4, 2014

Szimpla Facade Budapest

Szimpla Facade Budapest

PARIS – I wrote nothing since my days in Budapest, which I left a week ago and spent two days driving back to Paris, via Vienna. But that does not mean I have dropped the open mic adventure. My final night in Budapest I dropped off at the fabulous Szimpla kert to see if one of my all-time-favorite open jam sessions still exists.

I had discovered the Szimpla open mic, open jam in 2011. It was also the year I discovered this now hugely popular phenomenon of the kert, which is a kind of beer garden, but very hippie, very ramshackle, temporary looking multi-space bar area part outdoors, part-indoors that looks a little like a futuristic, post nuclear holocaust meeting place. They are all over Budapest, often in ruined buildings, as is the Szimpla kert.

(This video above shows me playing a horrendously out-of-tune guitar and discovering that I would not be able to sing to my guitar playing at Szimpla, as the mic was turned off for the night due to noise problems.)

The problem, though, is that the jam session has never been what it was in 2009 since I have returned each year. At least it WAS happening this year, because I don’t think it was happening last year. The problem is, Szimpla has now put the emphasis on live bands doing gigs on the stage where the jam takes place, they play early, and when they finish the stage and its instruments is open to anyone who wants to get up and jam – until 11 p.m. Not much time. Worse, it is not possible to use a microphone for vocals once the band is off stage, as they do not want to bother the neighbors.

Szimpla is Not the Only Venue in the World With Neighborly Noise Problems – See Sous Marin in Paris

Bothering the neighbors is a leitmotif in open mics and jams around the world, in fact, in any bar live music venue just about anywhere around the world. So it was that I found once I had returned to Paris and on Friday attended the relatively new Sous Marin bar open mic on the Rue Mouffetard, that they had moved the “stage” from near the front door to the bar end of the room since the last time I attended.

The last time I attended – which was also the first time – I was a little pissed off when I got up behind the mic to find the manager turning down both my guitar and mic volume to the point that not only could the chattering spectators not hear me, but neither could I! A friend asked me to turn up the volume, but I felt I had to obey the manager. (Finally, the MC came and turned it up and things went really well after that, especially when the crowd was reduced.)

Friday, no such luck. The manager pushed me out of his path from the bar to the tables while I was in the middle of a song, and then he returned to turn down the volume of the guitar and the vocals. Given that the three musicians who preceded me were quite audible right to the back of the room, and given that I had been standing in precisely the same spot as one of them, I felt a little bit like my presence was not particularly welcome. So I stopped singing in the middle of the song and left, telling the audience that the great thing about not being a professional musician was that you did not have to be professional about what you do. (There are those who would argue with that – notably a quote I have in mind from a Hollywood mogul of the early part of last century who said something like, “Show me the star who does not give 100 percent all the time, and I’ll show you the next bit-part actor. Show me the bit-part actor who gives 100 percent in every role, and I will show you the next star….”

Anyway…. The bar manager told me that he constantly had problems with the police coming and relaying complaints about the volume of the music. So that was the reason behind putting a muzzle on me. Fair enough. But what good is an open mic where a musician cannot feel wanted, and especially, cannot be heard…? This same manager, by the way, clearly treats musicians well in other respects: It’s one of the rare open mics where performers all get a free beer! And despite my offer to pay my beer even though I had sung only half a song, he insisted it was on the house…. So check it out yourselves, and let me know if I’ve bad-mouthed a great place….

Wait, Now Where Was I Again? Oh, Yes, From Oxford and the Harcourt to Paris and the Sous Marin on the Mouffe

July 15, 2014

Sous Marin bar Mouffetard

Sous Marin bar Mouffetard

The world has been too much with me of late as I spent my last evening in Oxford playing at the fabulous Harcourt Arms open mic on Sunday night, and then coming to Paris where I got caught up in life of a different kind before stumbling into the open mic of the Rue Mouffetard on Friday night that I had never attended, and then….

Well, getting robbed of my new, three-day-old iPhone 5c as I took a cab from the open mic on the rue Mouffe to an historic mansion in the Marais where I then jammed for a while with interesting new acquaintances before I left and returned the next day to buy an iPhone 5s, since I would not accept that my quality of life be reduced by a thieving taxi driver!

And then yesterday as I wrote my articles for my newspaper in the park Montsouris by using the iPhone 5s as an Internet connection for my MacBook Pro, I then realized tonight – too late – that this fabulous discovery comes at my own expense as I just uploaded the videos you see on this page from the iPhone connection and…used more than two thirds of my annual 4G free Internet connection from Orange France in order to do so!!!!!! (And will have to pay soon to continue using Internet via 4G!!!) So I hope you enjoy these very costly video uploads!


(that’s a smiley of desperation in the guise of a headline, even if it may not appear to be such)

Yes, so, let’s take a step back for a moment after that load of yelling and ranting.

The Harcourt Arms is a fabulous, down-to-earth open mic in Oxford run by the same man who ran the open mic at the Bookbinders Pub for many years, and who has been running another at a pub next to the bus station in recent weeks. It is a classic open mic in a classic British pub, and after now having attended for several years, I can only say that I will return every chance I have. Two songs to start with, and a third if there is still time.

I had discovered the open mic at the Sous Marin bar on the rue Mouffetard a couple of months ago, but I had never actually managed to get there until Friday. It runs every Friday from 9 p.m. until 2 a.m., and it turns out to be a fabulous open mic in the great spirit of “anything goes” and “let’s not worry about the quality of the sound, but just have fun.”

The Sous Marin is a tiny bar with tables against the left wall as you enter from the front door to the tiny bar in the back. You can barely find a place to stand or sit, and it’s everyone shoulder to shoulder and chatting away like mad. But the ambience is absolutely perfect for a “let’s have fun” open mic, and that’s exactly what I did.

The “stage” area is right in front of the door by the street with the big front floor-to-ceiling pane glass window leading into the rue Mouffetard, which is one of my favorite streets in Paris and full of people passing all the time. So it is that the pedestrians and passersby will see the musicians all night, and the bar may thin out but it will never empty out. In short, you feel like you are singing in the street – and you might as well be.

A great new addition to the open mic world of Paris!

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