In fact, I believe the Kararocké has been more than a decade that this formula has been working for Ullmann, the master of many disguises and above all, master MC. (Master master of ceremonies!!??) That the formula works is no surprise: It is a super karaoke, with a live band on a large stage in a large room with great sound, spotlights, and just absolutely everything to make the spectators that get on stage feel as if they are rock stars for a night.
Additionally, Ullmann has a habit of attracting some of France’s top musical talent to make cameo roles, such as Yarol Poupaud, Dave, Keziah Jones, Raphael, Dany Boon, Arthur H, Izia, Alain Chabat, Elie Semoun, Marion Cotillard, and even Michel Gondry, whom I once saw on drums at the kararocké.
On Saturday night, it was the turn of Yann Destal, known for his hit song, Lady (Hear Me Tonight), which was a worldwide success in 2000 when he was just 20 years old and in his band then called Modjo. Yann continues a strong musical career, but one that is out of the limelight compared to the days of early success. He plays around Paris all the time, and recently even starred in a musical about Woodstock.
On Saturday, he played as one of the band throughout the whole show, and performed a solo singing “Say It Ain’t So Joe,” by the Murray Head, a song that perfectly fits his voice.
I myself did not even try to get on stage, for two or three reasons: 1) I am usually crap at doing Karaoke because when I play and sing cover songs, I usually do it with my guitar in my hands, and I do it my own way, (they call this “interpretation,” but I prefer to think of it as making felicitous mistakes when it works, as I inevitably try to imitate the real thing but fail); 2) I did sing once with success at this kararocké, when somehow the band played “What’s Up” in my key, but I made a horrible failure of singing an Arthur H. song just a few weeks later, as it was neither in my key, nor a style I can do!, and 3), in fact, I was wearing my contact lenses and cannot read with them, so I’d have to know all the lyrics by heart! Oh there was another reason too: Ullmann, in his fair way, was asking all night long only for singers who had never before sung at the kararocké. And I did not fit that category, obviously.
Hellish imitator at the Kararocké
This was a beautifully chosen song for the night, because it was written in protest and disbelief of the horrible American politics of the day…plus ça change….
But it was well worth the night. On the less good nights of this formula the music has tended to be too much hard rock. But on Saturday there was a broad, broad cross-section of sounds. I regretted enormously not having brought my Zoom recorder in order to get great sound, as we have to settle for the terrible sound of my Galaxy S8….
Dock of the whatever at the Kararocké
I will return to the Kararocké again, that’s for sure.