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Big Day Soon in Paris and Aubervilliers: Conference with Julia Varley of Odin Teatret and Premiere of TAC’s Documentary with Legendary Director Eugenio Barba

October 12, 2022

Poster for the Barba film event.

Poster for the Barba film event.

PARIS – I’m already bubbling over with excitement about the premiere of my short, 30-minute, documentary/interview film with one of the giants of world theater of the last 60 years. I am talking about the work I did with Ornella Bonventre and her TAC Teatro – of which I am a company member since 2017 – and our interview with Eugenio Barba, founding director of the Odin Teatret of Denmark. The film will be screened next month, on 7 November, in the Espace Renaudie, a municipal theater in Aubervilliers, a suburb of Paris. It is part of a double-bill of activities with members of the Odin Teatret and TAC, beginning in the morning at the iconic Théâtre du Soleil of Paris.

That’s a lot of stuff to pack into your brain in the first paragraph, so let me backtrack now a little: Eugenio Barba is an Italian-born director and writer who after working with the Polish theater master Jerzy Grotowski in the early 1960s, went on to create Odin Teatret – based in Holstebro, Denmark – and to become one of the great theater theorists of our times, as well as the founder of the International School of Theatre Anthropology. Odin has always been at the forefront of avant garde theater in the world, innovating in the area of what is often called “physical theater,” as it speaks as much, or more, through the movements of the body as it does through text. And even the spoken word itself – or the music – is considered a kind of physical action in the performance.

The company was founded in 1964, and some of the actors that still make up the company have been with it since the 1970s, others for several decades. They are coming to Paris next month to put on their latest show, “Thèbes au Temps de la Fièvre Jaune,” at the Théâtre du Soleil. (The latter is another of the world’s great avant-garde theatrical institutions, also founded in 1964 and still directed by Ariane Mnouchkine.)

The morning event with Julia Varley.

The morning event with Julia Varley.

The Odin show will run there from 8 to 19 November, and TAC Teatro, in collaboration with ARTA, Association de Recherche de Tradition de l’Acteur, and the Aubervilliers mayor’s office organized two events that will take place the day before the show opens, ie, on the Monday 7th November at 10AM in the Théâtre du Soleil, and the film premiere at the Espace Renaudie starting at 18PM, with, following the film, a roundtable discussion. The event starts by featuring especially the intervention of Julia Varley, one of the Odin Teatret actors, who will give a conference about the process of training and creation for the actor in the morning part of the program at the Théâtre du Soleil. Ornella will take part in that too, along with Raluca Mocan, a theater expert and member of the Husserl Archives of the Ecole Normale Supérieure.

There will also be a hommage to Odin Teatret in the form of live performance extracts from TAC Teatro’s latest show, AJAMOLA by the actors of the company.

I am very pleased to be able to show this documentary interview film that I did with Eugenio Barba the last time Odin Teatret visited Paris, with their previous show, called, “L’Arbre.” The interview was conducted outside at the Cartoucherie, and Ornella filmed it – and organized it – and also intervened with some of the most interesting questions – when I think I took over the camera briefly! It was a wide-ranging interview with Barba covering his life story, his theories of theater, the history of theater and of Odin, and even comments about the state of Paris’s theater landscape in general. It also contains a lot of footage and photos of Odin’s work through the decades.

Brad Spurgeon interviewing Eugenio Barba.

Brad Spurgeon interviewing Eugenio Barba.

Taking place at the Espace Renaudie in Aubervilliers starting at 18PM, the screening is free of charge, and there are about 200 seats in the theater. So if you want to come, best to reserve in advance at or by telephone at: 06 14 06 92 23

By the way, this is the same location where the full production of AJAMOLA will be performed several times this year and next – so if you like what you see in the performance extracts at the event at the Théâtre du Soleil…don’t hesitate to book for the show too!


  1. I would be excited too, in anticipation of the event. It’s a very big deal! Only wish I could be there and boy would I like to see the Thebes piece. Lucky you for having this opportunity. Well done.

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