Paris open mics | Brad Spurgeon's Blog

New Openings at Paris Songwriters Club Open Mic at the Cave Café

November 14, 2024
bradspurgeon

Paris Songwriters Club participant

PARIS – I recently saw that the Paris Songwriters Club open mic at the Cave Café on Tuesday nights would open its rules a little to allow cover songs. This is the wonderful evening hosted by Paddy Sherlock for close to a decade now, and that after finding and then losing two or three venues, finally landed in its dream spot of the Cave Café basement room just behind Montmartre. What made for this open mic’s originality – personal compositions only, please – also made for a certain limitation for someone like me, who has only so many songs I’ve written that I will ever dream of singing in public. So I kept going, but I would always sing the same songs…until I kind of stopped. When I heard I could sing cover songs now, I went IMMEDIATELY!

But attention, or watch out, or wait right one second: Paddy wants to make it clear that this remains the Paris Songwriters Club, and that he still prefers songs performed being those written by the performers themselves. But he felt that it was time to open up to continue to do exactly the same thing that is the point of the original idea: To encourage singer songwriters and just plain performers to get up on stage, experiment, and hopefully feel the urge, and the comfort to eventually write their own stuff.

It came out of his mouth before I even said it, that there were cases of people who write their own songs, but don’t have enough of them.

“But if someone comes and they’ve written, like, 2,000 songs, I’d really rather they do their own!” said Paddy, when we spoke about it at the end of another great night at the open mic.

Dr Faustus Talking WWIII at Cave Cafe

In fact, and indeed, as I sat there last night and listened to one original musician after another – none of whom I had ever heard before – I realized that almost all of them were doing their own songs anyway. And I felt that, this is great, the tradition continues, but the doors are open for anything. (I must not forget to add that Paddy has also always allowed for people to do stand up comedy, acting, reading, whatever they want.)

And boy, did “anything” follow. From Brooklyn came a somewhat secretive guy who called himself “Dr. Faustus.” I say secretive simply because, a), he left before I even had a chance to talk to him and b), I had the sense that he had done a pact with the devil, and so hightailed it outta there as soon as he could.

Woman Sings Pakistani song at Cave Cafe

And I say that about the pact because his cover of Bob Dylan’s Talking World War III Blues was just brilliant. So brilliant that I thought, “Who is this guy?” But never got an answer, except he is from Brooklyn….

So I was happy the doors had opened for that one.

There was another guy who did a song that might as well have been a personal composition for most of us, as I think a lot of us might not have heard it before, even if I think it might be well known in Corsica. And if not, it should be. It was something like “Ma Patrie, Corse…” but I did not note the title, and anyway, the guy said it was written by his music teacher in high school – so it might be considered something of a personal composition after all.

Woman Sings Man Percusses at Cave Cafe

When it came my turn, as I have not been performing in public much lately, and there I was doing cover songs for the first time on Paddy Sherlock’s open mic, I was overly nervous, and felt worse than half ok during my first two songs. I was also using a guitar that was up to my chin with the strap setting, and that didn’t help. I did “Runaway Train” by Soul Asylum and “Come Pick Me Up,” by Ryan Adams.

But it was on my second time on stage after we had run through two songs from all musicians present and had time for another go that the evening transformed for me into a truly memorable one, and gave the real sense to the meaning of the new approach allowing cover songs at Paddy’s place.

I am working on a recording of a cover song that I hope to release soon. The guy who wrote the original even offered to sing or play a bit on the song himself, and given that he is a very successful musician, I got out and recorded my guitar and vocals as quickly as I could. I got a friend from Canada to add bass. But then I realized that having upped the tempo so much in my version recorded in the studio that I don’t have enough “space” to sing the chorus as it should be done, in a long, drawn out manner. In short, the chorus sung by me stinks.

Corsican song at Paris Songwriters Club

I’ve been wrestling for weeks, even months, on how to fix that problem. So with only a few people left in the room last night, I decided to explain my predicament and ask for ideas on how to fix it. I sang the song, it went down pretty well, and I felt much better about my performance. (To the point that some listeners did not quite understand the problem with the chorus – but I told them I cheated on stage, making room in that part that I don’t have in the recording!)

But what happened was I got some fresh ideas – particularly from Paddy a bit later – and now I have some new ideas on how I might fix that problem with the chorus.

Paddy said at the end that this kind of thing was totally within the spirit of what he would hope to be doing with his open mic now that covers are part of the Paris Songwriters Club.

I sure won’t say no!

Senegal guy sings at Paris Songwriters Club

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I Bit the Apple Again, Along with Eve and Had a Blast at the Open Mic

January 26, 2024
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Brad Spurgeon at the Open Mic at The Pom. Photo Credit- ©Riyad Sanford

PARIS – Thank goodness for friends who get you to move your butt. Last Friday, I had a very busy day with TAC Teatro, doing two shows, one in which I performed, the other that I filmed. A friend visiting Paris contacted me and said he wanted to do an open mic with me – the open mic at the Pomme d’Eve in the 5th Arrondissement, near the Panthéon. Going out again was the last thing I wanted to do after that long day, but the friend was visiting Paris only for the weekend. So I said I would go. Thank goodness I did! Another great night at this Paris mainstay open mic run by Riyad Sanford, after his previous musical evening at the Klein Bar across the river had been closed down.

My need for relaxation – and a beer – after the long day was more than fed by the laid-back atmosphere in this medieval kind of basement room with its curved ceilings, cut off from the world in every way except for the warm crowd of spectators and musicians. And above it all, Riyad, with his warm MCing of the open mic. My friend said it brought him right back to Greenwich Village in 1970 – or thereabouts. Think “Inside Llewyn Davis”

Ladies band singing a cappella at The Pom open mic

There was a long list of performers, and as I mentioned in my previous post about the open mic at The Pom, it’s important to get there even earlier than the 20:30 sign up time if you want a good spot on the list. I had a pretty good spot in the middle of the evening with one drawback. As I said when I got on stage, Riyad really did me a great injustice to have put me right after one of the most spectacular acts of the evening – a girls band singing a cappella. I did a video of them, which I have placed above in this post.

First at the open mic at The Pom

So there I was having to follow these geniuses! How could I do that? Only one choice: Doing the song I have done more often than any other, and in more places around the world than any other: “Mad World” by Tears for Fears. But then, I decided that the situation called for taking a risk on a new song I have never performed before in public, and only learned recently. This meant even more fear for me of screwing up and having the room erupt in distracted discussion. But if you take no risks, you make no gain.

So I tried it. A cover of Elliott Murphy’s song from his 1973 debut album, Aquashow: “Hows the Family.”

Second at The Pom open mic

Ouf, as the French say, the two pints of beer I had before mounting the stage did their trick, and as soon as I started singing the song I lost my stagefright, and it felt like I was on stage at the Olympia. That, of course, was also thanks to Riyad’s gentle prodding of the public to not erupt into discussion during this more peaceful, gentle, quiet number. At least I think that’s the case.

Anyway, tonight is Friday again, as I write these words, and the open mic will again take place, and if you happen to read these words tonight, get your butt over there now, whether you want to or not!

Fourth at The Pom open mic

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100th Open Mic at Pomme d’Eve in Paris – and My First There

April 16, 2023
bradspurgeon

Pomme d’Eve Open Mic

PARIS – I had the strangest experience on Friday evening attending for the first time the Pomme d’Eve open mic in the bar of the same name on the Rue Laplace in Paris. This was the very same cellar bar that had hosted the first ever open mic that in around 2010 immediately transferred up the street to the P’tit Bonheur la Chance bar and became one of the best in the city for years. But I loved the atmosphere of the Pomme d’Eve, with its kind of medieval cave and thick pillars, and small stage, and a great mixture of both intimacy and space. I had seen that my friend Riyad Sanford had been running this “new” open mic in the Pomme d’Eve for probably around two years, as a new addition post-Covid to the Paris open mics, and I had intended for two years to attend! Friday was the first time I could, and the strange thing was not so much the absence of Riyad – who had gone on a trip and been replaced this week by Vedit Raisinghani as host – but the fact that for the first time probably in more than a decade at a Paris open mic, I did not know or recognize a single musician in the open mic!

Yes, here I was, some 13 or more years later at this very same venue from which so much had grown, and at which now Riyad – who for years hosted the open mic at the Klein bar, as well as others like the Galway and occasionally the Highlander – hosted this one and so I assumed that I would find all of the familiar faces. In fact, no. Not a single face I knew. Or not, rather, until I later learned that the violin player who accompanied those who wanted to be accompanied, had remembered me from the Osmoz Café open mic of Sheldon Forrest, and I did have vague memories of him.
Man on piano at Pomme d’Eve Open mic

But what I realized had happened was that a whole generation of performers had suddenly supplanted the previous generation of performers, in the period in which I had greatly reduced my own visiting of open mics due to both Covid and other activities – notably TAC Teatro activities – and so I realized only by not recognizing anyone and also seeing for the first time a new generation that looked sooooo much younger than the previous one, that I had been away a LONG time!
MC and Ales on violin at Pomme d’Eve

But what I found was greatly reassuring: Faces change, generations come and go, but the music and the spirit of the open mic continues in the same way. Signup was advertised as being at 8:30. But by the time I arrived at about 8:35 I was already the 12th, and designated last performer, as there is a strict adherence to the need to close the open mic for the evening at midnight. With three songs each, I just barely managed to get in under the time limit to have my own three songs. But it was a huge pleasure, and there were still lots of audience members by the end of the open mic when I went up, since, I was told, the bar is one of the few that stays open until 5am!
French one at Pomme d’Eve open mic in Paris

From where I was sitting and taking a few videos, you will not see that there was a very nicely sized crowd of musicians and spectators. And my only criticism is that I found the sound system could have been better for the vocals – as you will hear it is ever so slightly muffled. But that may well be because I was not sitting directly in front of the speakers.

This place also has something that is usually missing in most such open mic venues, which is a piano. So it is well worth it for a broad cross-section of performers. And the added touch last on Friday of having Alex, the violin player, was really great. I insisted he play along with me, as I thought he was about to leave as he had not yet recognized me either as the guy he had seen at Osmoz Café. I was glad he joined me on all three songs: “Mad World,” “You Ain’t Goin’ Nowhere,” and my “Borderline.” I was really touched when afterwards one of the other young musicians came up and told me the Dylan song is his favorite … or was it one of his favorites? In any case, it showed me that the generations may change, but the same great songs go on touching them all one after the other.
Duet at Pomme d’Eve Open Mic

Oh yes, and I forgot to mention. Another shocking moment for me came right at the beginning when the MC announced that this was the 100th edition of the open mic! Boy, had I really been gone for a LONG time!

Check it out!

Another at Pomme d’Eve open mic in Paris

Amazing Night at the Open Mic and Film Showing at TAC Teatro

March 26, 2023
bradspurgeon

Sheldon Forrest on screen in Out of a Jam at TAC Teatro

AUBERVILLIERS – One of the beauties of live music is that every time you play the experience is something different maybe than you expected. That is, live theater, live music, live anything is unpredictable to a certain degree – some new nuance or moment will stand out and that’s what makes the experience “real.” I had been planning the projection of the Paris moments of my open mic film, “Out of a Jam,” at TAC Teatro for some time. I had been visualizing it in a certain way, anticipating it for what I thought and hoped it would be. In the event, two nights ago, it turned out to be nothing like what I expected, but so much more in so many ways. What a night!

It was a very intimate evening with some great musicians and other unexpected, and exceptional guests (my globe-trotting writer friend Adam Hay-Nicholls, who lives in London, blew me away with his presence), in a warm, thought-provoking moment of what was also a hugely nerve-wracking – but proud – evening of showing in public some excerpts from my film for the first time. A great core group of musicians from Paris showed up, as well as a surprise visit from the great science fiction novelist, Norman Spinrad, and his other half, Dona Sadock, who among many other things, once produced the Firesign Theater comedy troupe. I first wrote about Norman Spinrad in an article in the International Herald Tribune when he was selling the rights to one of his novels via the internet for $1. The book went on to find a publisher some time later, and he has continued to publish non-stop since. I last wrote about Norman Spinrad on this blog when I attended his 70th birthday party, in 2010 – which, when I re-read it, was a hell of a night!

Norman Spinrad and Dona Sadock and me in the middle presenting Out of a Jam at TAC Teatro

The film, “Out of a Jam,” was filmed the following year, but took me until now to complete the editing, and put it in what I consider its final shape: a 21-part series for streaming. Among the guests who attended on Friday night was one of the main “talking heads” of the documentary, Sheldon Forrest, who graced us with his presence despite it being a strike struck period in France and his living a couple of hours away from the Aubervilliers venue! I was thrilled.

The first truly nerve-wracking thing of the evening, though, was that my computer refused to boot! So there was no film. Fortunately I had brought my iPad, and while I could not show the Paris moments to start with, as we waited for more spectators to arrive and for my computer to boot, we watched the Istanbul episode of the series. After that, magically, my computer decided to boot. (Actually, it is not magic. Although I had just a few weeks ago replaced the battery for a similar experience, I think I have solved the problem: It is a Macbook Pro, and after losing my adapter, I replaced it with a non-Apple charger, which I think does not have the same performance capacity as the Apple charger, and so if the computer runs out of charge, it takes FOREVER to re-charge enough to boot!)

Earle Holmes on screen in Out of a Jam at TAC Teatro

I was therefore able to show the compilation of Paris moments from the open mic, which was a 37-minute film without form. But I got all sorts of great responses from the people present.

After that, Joe Cady, my violin-playing friend with whom I have play with several times over the years including at the F1 FanZone in London in 2014 – and whom I first met at Spinrad’s 60th birthday party! – suggested we do a song together, and the very-much-shortened open mic took place! I did “Mad World” with Joe, and it was amazing to play again together, and then Angus Sinclair played another cover with Joe, singing “Wicked Game,” in a wonderful rendition that made it his own.

The evening ended up being more about the film than the open mic and a couple of other musicians who came had to leave early so we did not go beyond that. So it turned out to be completely different than I either planned or imagined. And so much better, in the way it decided to be!

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Historical Excerpts from the Paris Scenes of the Open Mic Film: Out of a Jam

March 15, 2023
bradspurgeon

open mic and film poster

PARIS – It was 2011, and all through Paris, bands and musicians were playing at one open mic or another, honing their craft and crafting their hone. (A hone is a whetstone – very necessary to musicians playing late at night.) And I was filming it here in Paris and throughout the year all over the world. The open mic film series is now completed, is called “Out of a Jam,” and it is 21 episodes long, and more than 7 hours in length. Here I am presenting for the first time on the blog, the short video of excerpts that I made of some of the Paris moments. This is to give an idea to my readers who can be in Paris on 24 March 2023 (Friday in a week) what they will see during the big, giant, bursting at the seams open mic at TAC Teatro. Come to play, come to see the film! Come to have a drink and have fun!

The video of Paris moments from “Out of a Jam,” the open mic series.

Here is the Facebook open mic night event page where you can find all the information and click “going”!: https://www.facebook.com/events/229815516058026

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Open Mic @ TAC Teatro + Film of Open Mics around the world – 3 weeks away! (And computer breakdown no teasing…)

March 3, 2023
bradspurgeon

PARIS – I had planned to celebrate the 3-week countdown to my giant open mic and film showing at TAC Teatro today with the publication here of a teaser of excerpts from a few of the open mic people and scenes from the Paris parts of the film. In other words, I wanted to show all my Paris-based friends the images of them playing music or being interviewed 12 years ago when I filmed « Out of a Jam, » the series about open mics around the world. But my computer yesterday, my faithful MacBook Pro, decided to fail me. At least temporarily. The battery died and I could no longer even start the computer. It is now being repaired at an Apple Store in Paris. (Marché St. Germain, where the old open mic of the Coolin’ Pub used to take place.

So instead of showing the great moments of people in Paris like Earle Holmes, Sheldon Forrest, Thomas Brun, and all the musicians under the Paris skies – both French and English – I have only been able to publish here the poster for the event. And the link here to the Facebook event to the open mic and filming, which is open to everyone.

I was able to limit the damage to my life glued to my computer by discovering that the keyboard I have for a very old computer actually works on my iPad, which I use mostly for reading books and newspapers. (I hope to soon do a review here of the Bob Dylan book that I just finished reading yesterday about the philosophy of modern song!) But while I can write on this iPad, I cannot properly edit the film with Final Cut Pro – as the open mic film consists of 21 episodes of 19 to 22 or so minutes each. In other words, it’s a heavy m…. …..er.

TAC Teatro events for March 2023, with the poster for the open mic and film.

But as soon as I get my computer back, within days I will try to have that teaser of the action in Paris up on this site and elsewhere. So that all my Paris friends – even those who now live in Timbuktu, can see themselves 12 years ago and have a taste of what is on offer on 24 March at the open mic at TAC Teatro.

Finally, I want to make if very clear here and now that this open mic and film showing is a one-time event. It’s not a new open mic. It won’t be repeated. So let’s make the most of it and turn out in the hundreds!

Giant Open Mic and Screening of Open Mic Film (excerpts) @ TAC Teatro

February 15, 2023
bradspurgeon

A view through the entrance to TAC Teatro in Aubervilliers.

PARIS – If you are in Paris on this date, please stop by TAC Teatro in Aubervilliers to participate in – or just check out – the open mic night we will be holding to celebrate the premiere of my Open Mic streaming series: “Out of a Jam.” This has now become an historic film of open mics in 20 countries over a one-year period – that year being 2011 ! This is my open mic film that ended up taking a year to film and a decade to edit into its final format: 21 episodes of between 19 and 23 minutes each. Each episode takes place in a different country – or some like NYC are spread out – and every one is structured with first, visit to the open mics of Paris – home base – and interviews with key people about a theme connected to the open mic; followed by a visit to a new country and its open mics, with interviews and films of the musicians there.

I have decided to show excerpts from the series for the first time anywhere, at TAC Teatro, and then hold our own huge open mic. In the coming weeks I will post more information about it all, including more details about the location – it will be a night to remember, as we will be able to play and celebrate in the theater, in the cabaret and in the courtyard. I want to give a few little tours of those spaces by video when and as I can. There will be beer and wine to drink for real cheap – a key to the success of any open mic – and I will create the best sound system I can.
“Out of a Jam” open mic film series generique

I really want to see as many of the people who played in the open mic scene in Paris in 2011 as possible, since many of you will be in the film, and we can celebrate the time that has passed since then! And I want as many new faces, musicians and fans of open mics to attend as possible! This evening will be devoted to the open mic, and I will keep the film part to a minimum – unless people want more and more and more! – as my goal is to have as many of us play music, and talk and have fun, and I don’t want anyone feeling like a hostage in a cinema seat! That said, this series will be a real nostalgia trip for many of you, and the most complete look at the open mic phenomenon that I know of.

Inside the theater at TAC Teatro where the main stage of the open mic will be and the film will be screened.

I am giving you a little look at the opening credit video bit – above – that will go with each of the episodes. But keep in mind that while these little moments feature mostly me in different world settings, I repeat that the film is not about me. It’s about all of you who played or organized or attended as spectators the open mics at that time. During this evening in Aubervilliers I will focus as much as possible on the Paris parts where you can see yourselves – unless I have any of my friends from any of the other 20 countries showing up, and wanting to see their contributions… Japan, China, Malaysia, Brazil, Turkey… etc…!

A look at the courtyard at TAC Teatro during a recent event, and where the open mic participants can go to talk and drink and smoke while not wanting to disturb musicians singing!

The date is 24 March 2023. I’ll keep you updated as we approach the hour….

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In Paris, Three Open Mics Over Two Days – a Post-Covid Return!

October 2, 2022
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Bootleg Bar open mic near Bastille

PARIS – Unless my mind is playing serious games with me, this last week I finally attended open mics in Paris again for the first time since the Covid pandemic began in early 2020. I have mentioned in these pages before that I have performed here and there occasionally in various performance formats – including the jam I did a couple of times in Sicily over the summer. But unless this old brain is fading, these are the first open mics I have done in Paris since 2020, or even 2019! And it was great to see that while I may have been playing it safe on the disease front for a lot longer than most open mic performers and spectators, clearly I am behind the times on open mic performing!

I have been waiting for a long time to attend the new open mic at the Cave Café, near the Lamarck metro in a part of town that – at least to my knowledge – has few open mics. This is the place where I used to love to go just before the pandemic, when Sheldon Forrest ran his “Montmartre Mondays.” I was very sad when it ended, because the Cave Café, owned by the American, Arthur, has such a wonderful vibe: Like its name, it takes place in a “cave.” Lest you get images of brutes with wooden clubs to beat you with, please know this has nothing to do with neanderthals. It is the French word for basement, and it drums up the beautiful image of precisely what we find here: a vaulted brick ceiling in the cellar room.

But the real cherry on the top of this cake is that the new open mic at the Cave Café is now the old Paris Songwriters Club run by Paddy Sherlock. This is one of the best open mics in the city, but one where you can ONLY sing or play your own compositions. No cover songs. Paddy had run this first at the Tennessee Bar, then at the O’Sullivan’s Rebel Bar. But this is not just his best location so far, it is also the most intimate and well-served sound wise. So it is also perfect for the precise kind of open mic it represents: play your own songs to an audience that listens in a location that makes you want to spend the whole evening there just for the comfort and fun.

Paddy Sherlock playing at the Cave Café

I took advantage of this open mic to play for the first time in public anywhere, my song, “What’s All This Talk?!” which I wrote during the pandemic, in the fall of 2020, and which provided me the soundtrack for the video I made of and after the January 6th, 2021, attack on the Capitol. It’s always very difficult to sing a song for the first time in public, especially with that weak memory of mine – but I got through it pretty well.

First at the Cave Café

From Tuesday’s Songwriter Open Mic to a couple of regular Wednesday venues

I mentioned Sheldon Forrest above, and on Wednesday, it was time to visit Sheldon’s open mic at the Osmoz Café in Montparnasse. From Montmartre to Montparnasse. Could anything be better? I have no need to introduce either Sheldon or his Osmoz Café open mic, as both have been around for years now. In fact, Sheldon was running this one at the same time as he did the one at the Cafe Café as I mentioned above. It was great to see that everything was the same as usual: Sheldon playing piano to accompany singers who do not play an instrument. Or if you do play an instrument then you are welcome to do that too. I took this opportunity to play a few songs that I had learned during the pandemic – or just before – so as not to be singing the same songs for more than a decade for Sheldon and his audiences. I also did “What’s All This Talk?!” and felt about the same as the night before at the Cave Café, so that’s down now!

I finished my tour of three open mics in two days by attending the open mic at the Bootleg Bar, heading directly from Montparnasse to the Bastille! How much better does it get than that? Montmartre to Montparnasse to Bastille!

First at Osmoz Café

I only discovered after I finished at the Osmoz that there was an open mic at the Bootleg. This is the one that I used to attend that was run by the former group running the Rush Bar open mic. It used to be on Mondays. Now, it is every Wednesday, and seems not to be run by the same groupe of people, and has a bit of a different feel to it: Wednesday evening it was mostly about jamming, with several musicians playing simultaneously. Although there was a woman who came to play her songs on the acoustic guitar, and she accepted some other musicians joining her – but it seemed not to be obligatory.
First at Bootleg Bar

Here I was told I could go up to play, even though it was by then quite late, just before midnight. But after listening to the other groups and realizing I had a long hike across Paris to return home, I opted not to play. I had all I needed: I got to see that life continues at the Paris open mics, and now I will finally also be able to update my Thumbnail Guide to Paris Open Mics, Jam Sessions and other Live Music, which through Covid, had been collecting cob webs, but remains one of the most often consulted pages on this blog.

Second at Osmos Café

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Paddy Sherlock and piano player at Cave Café

Second at Bootleg Bar

Third at Osmoz Café

Third at Bootleg Bar

A New Tack With TAC Teatro – or Should it Be Called a New TACtic?

September 23, 2019
bradspurgeon

TAC Teatro

Why have I done so few posts on this blog in recent months? Let’s call it a TACtic. I have mentioned TAC Teatro a few times on this blog in the past three years, and especially my activities with TAC. But as of this summer, I have been devoting a lot more time to TAC, and am now a full member of the troupe. This is part of a decision to transform all my open mic experiences into something different, and, hopefully, bigger.

When I say bigger, I mean above all in terms of range of use of the body, voice, performance. I continue to play guitar and write every day – in fact, I am working on a very big writing project that I will finish at the end of the year – but I got to the point with the open mics that it felt as if I was repeating myself. Since stopping my travel to the Formula One races at the end of 2016, I had pretty much only Paris as my stage. And as big and beautiful and great is that stage, playing the same open mics with the same songs for the same spectators began to wear on me.

But my love of performing and my need to create are as strong as ever and always. Now, invited by Ornella Bonventre, the director of TAC Teatro, to involve myself even more than before – that is to say, with at least three meetings with the newly formed Paris troupe per week — I have found what feels like the answer to the stagnation at the open mics.

Of course, I am also continuing several other projects, such as the completing of my open mic documentary and the completing of my open mic memoir. But as far as performing goes, the idea is to build as much as possible on the physical theater of TAC Teatro. This is a kind of theater that appeals to me as it involves voice, music, physical action, acrobatics, puppetry, juggling, unicycling, text and just about every other thing you can imagine all wrapped into one.

Among its great proponents are groups like Odin Teatret of Denmark – I am also finishing the editing of a video interview with the founder of that theater, Eugenio Barba, that I conducted along with Ornella – and even the Théâtre du Soleil of Paris, and many others. TAC Teatro has existed for many years in Italy, and Ornella started up the Paris part two years ago. This year is the biggest step so far, with the recent gathering of several new performers – and you could say I am part of that wave.

In the first week of September five of us, under Ornella’s direction, put together a performance on the theme of borders, or “Frontières” that we performed on an outdoor stage at the city hall of Asnières-sur-Seine, where the French TAC is legally based in France. I am putting up on this blog page two videos connected to that event, one of which is a short video of the performance that Luca Papini, an Italian filmmaker in Paris, made.

The other video is of my own specific contribution to the writing of the performance, that did not make it into Luca’s film. All the performers created the first seeds of their own scenes, which we all then worked on together under Ornella’s directing, and so I was pleased to learn that Ornella had found in the filmed bits of our rehearsals and moments of creation, that there was a good, complete filming of my scene. (The exercise of filming the rehearsals was in order for the performers to have a more objective view of their work.) Ornella just finished preparing that segment as a video, which I post above.

TAC Rehearsal with music

We all used our personal preoccupations of the moment to create these seeds of our scenes, which were all also somehow connected to the theme of borders. My own section, called “Le Passeport,” as you will see, has to do with my personal battle with the concept of Brexit, which is affecting me to the point of madness as I wonder at how long I will be considered a legal citizen in France, as opposed to an illegal alien…. And I emphasize that word ALIEN.

So to sum up, again, my lack of presence on the blog in recent months has had nothing to do with an end to my creative projects, but rather, a reduction in the approach of the past – focusing almost entirely on open mics – and the beginning of a new approach, combining all of my interests, including playing music. I hope now I can shake myself out of the lack of contributions to the blog and back into a cycle of regular updates, but on a bigger theme!

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Paddy’s Paris Songwriter Club at the Rebel Bar: One of Paris’s Most Intimate Open Mics

March 28, 2019
bradspurgeon

Paddy Sherlock and Singer

PARIS – I have written before about Paddy Sherlock and his fabulous Paris Songwriter Club open mic. But the last time I visited it was located on Sunday nights at the Tennessee bar in the Latin Quarter. Last September it moved to the O’Sullivan Rebel bar on the rue des Lombards, near Chatelet. I have now finally had the chance to attend, and I am happy to report that the move has done it some good. It is even more intimate than it was before, so much so that at the end of the evening it suddenly turned completely acoustic, and that much warmer still.

This bar used to have an open mic on the ground floor, run by Etienne Belin, who used to run the Coolin open mic, which was the bar where Paddy had a gig that lasted around two decades until they closed the place after Apple bought it and transformed it into an Apple Store. That sentence was purposefully a mess, as I write this blog item now a few days after attending Paddy’s open mic at the Rebel bar, and I continued to think about how I can sing its praises!

The new open mic takes place in the basement, vaulted ceiling room, and not on the ground floor, and this is a stroke of genius. Or at least a natural environment for it. The ground floor, in my opinion, was never quite right. Here in the basement room, there is just enough room to make it a packed evening of music and audience participation no matter how many people show up.

The only drawback to having it in the basement is that bar patrons from above must pass through the room of the open mic in order to get to the toilets. Having said that, this is a way to rope in some extra spectators who might have decided to drop into this popular bar without considering attending the open mic, and then they can get drawn in by the music.

There was an eclectic mix of music on Sunday, with everything from the usual singer songwriters showing off their new songs to even an actress showing off her new monologue. Frankly, it has been a long time since I have played in front of such an intimate audience, and it was challenging at first, but I eventually felt at home. And I will return as soon as I can….

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