The idea behind it is a slightly risky one, in that he basically demands that people play their own compositions and not cover songs. But that environment really pushes a musician with insecurities to go for the risk of playing their own song rather than falling into the safe zone of doing a crowd-pleasing cover that they know is a sure thing.
Second Paris Songwriters Club night compilation
What I found amazing last night – along with Paddy’s perfect MCing, and his own great music, and the good sound system, etc. – was that I really felt very often as if it could not be possible that everyone was playing his own song! Some of the stuff was just so good that I forgot for the duration whether I was listening to an unknown popular song, or a composition by an unknown songwriter.
In any case, it more than lived up to my hopes. And this is great news for the Tennessee Bar too – which has relatively new management – as it used to host one of the best open mics in Paris, with James Iansiti, but since that host left, the open mic has never been up to standard for long, if at all.
Paddy said he hopes to make this monthly open mic a weekly open mic, although that depends on its success. For the moment, one thing is for sure: The next edition is on 10 December. So I highly recommend you get your butt over there, songwriter or not!
PS. For the first time on this site, and in a baptising of my new camera, I have decided to make a compilation of short segments of all of the people I filmed during the open mic – which was far from the full number of performers.
PPS, I did not want to ignore that there is also a new open mic at the Tennessee bar on Thursdays, which is run by Etienne of Coolin fame, but which unfortunately the night when I went there, Etienne could not make it, so I decided not to stay as I wanted to see it in its real guise…. I’ll return again, for sure….