Brad Spurgeon's Blog

A world of music, auto racing, travel, literature, chess, wining, dining and other crazy thoughts….

Five Musicians In Search of Nothing: Thriving in a Covid World

April 7, 2021
bradspurgeon

PARIS – One year into the pandemic that has killed live music and the life I spent most of this blog writing about – open mics, bar gigs, jam sessions etc. – and you might think that the musicians of the world would have collapsed and taken their music to heaven by now. That would be to underestimate the spirit that drives musicians onwards: To make music no matter what! In the last few weeks I have seen a sudden harvest of initiatives, sounds, CDs, gigs and things that to me show how so many of the musicians I have met over the life of this blog – 11 years old last month – have taken advantage of the lockdowns in their respective countries to forge onwards in making music and promoting their careers in ways that the gigs can no longer do.

And what a great feeling of pleasure it is to see how they have progressed through the mess that was thrust upon us all, setting the stage for even greater things when the curtain rises again post-Covid trauma. I want to just mention a few of these bits of news from musicians I have met, played with or just heard at open mics over the last decade. I’ve got five examples with five representative videos that I invite you to check out…and why not support them with a buy!

1) I met Greg Sherrod at the Some Girls open mic on rue de Lappe near the Bastille in Paris around a half a decade ago. I came in like any other night, signed up to play, and there was this guy from Connecticut who had just arrived for a short stay in Paris, and as a singer songwriter, and longtime performer with bar bands, had come to Paris with the goal among other things of playing in some jam sessions. It turned out he had been reading this blog for a long time in advance to prepare the trip, and so how fabulous that the first open mic he attended I was there, and he recognised me! So began a mostly long-distance friendship that is still going strong. (Can you believe it that it was Greg in Connecticut who introduced me to the fabulous Netflix series “The Eddy,” that takes place in France?)

The news from Greg is that he is launching a national campaign on June 1 to sell his latest CD, “Do You Feel It?” I loved his CD that he released a few years ago and that I spoke about on this blog, but this new one has even MORE of his energy and bubbling, bursting, addictive feeling! Greg’s really got a unique voice and style, and I implore you to go and check this out on Greg Sherrod’s bandcamp page. It’s really different, and I wish him the best of luck on the national launch.

2) Regular readers of this blog will know the name of Paddy Sherlock. But maybe not the way I am about to talk about him. As his name suggests, Paddy is Irish. But he is also a decades-long Paris expat, and host of the also decades-long music night at the Coolin’ Pub in the Latin Quarter, which sadly, closed a few years ago to make way for an Apple Store (more or less). After that, Paddy hosted an open mic that was exclusively devoted to original songwriters, and started at the Tennessee Bar before moving to O’Sullivan’s Rebel bar. It only ended when Covid started, and I imagine Paddy will be back to hosting it after the pandemic ends.

First single from “Dusk,” the new CD from Paddy Sherlock

If, that is, he is not too famous and in demand thanks to his latest CD, “Dusk,” which not only has been playing regularly on one of France’s top radio stations – FIP – but has also been getting fabulous media coverage, including as I write, being called the album of the week by the French edition of Rolling Stone magazine! A video of one of the songs, “Like a Diamond,” which I link to above, has more than 20,000 views in a short period of time. In short, it has taken the lockdown for Paddy to apparently break out in a big way. Paddy, a multi-instrumentalist, but trombone specialist, is also a very cool songwriter and singer, and actor, and that all comes together on the video, as you will see.

Misja Fitzgerald Michel

Misja Fitzgerald Michel

3) The only musician on this short list who I did not meet at an open mic is Misja Fitzgerald Michel, one of France’s top jazz guitarists, whom I met through a mutual friend, a photographer. And what a discovery! I say he is a jazz guitarist, but he is pretty much an all-rounder, and never more so than now that I can tell you about his recent exploit. (Misja did a fabulous CD a few years ago playing guitar along to the singing of Hugh Coltman of cover songs all by Nick Drake. A kind of Nick Drake tribute album that got some great critical reviews.) In fact, he has had two very interesting projects in the past year or so since Covid, one being his CD with a vibrophone player named Franck Tortiller, but the one I wanted to draw your attention to now is astounding!

Making of the Elzbieta Sikora piece with Misja Fitzgerald Michel

Just as the virus began threatening everything, Misja managed to get in a concert in Paris playing along with a symphony orchestra a piece written by the Polish composer, Elzbieta Sikora, based on a piece by Wanda Landowska, and instead of using the piano, chose to use the electric guitar as the lead instrument. It was directed by Marzena Diakun. Playing just before the coronavirus broke out, the intervening time allowed the project to develop both a CD and a video of the performance. I sat mesmerised listening to and watching his performance, in this extraordinary moment that out-Fripps Fripp and that requires all of Misja’s technical knowledge and feeling, in a virtuoso performance of a kind on an electric guitar that I’ve never heard, and an extremely cool idea. Check out the video of the making of the performance to see if you agree!! And you can find out more about the performance on the site of those who put it together. Here is a great description of the CD.

Gaelle Buswel

Gaelle Buswel

4) Researching this next performer on this blog itself, I discover that the first time I ever heard Gaelle Buswel sing was as far back as 2009! It was at the Cavern bar in Paris, at the weekly vocal jam, and I was immediately subjugated by her performance. In fact, I can’t think of a better way to describe her than the way I did on this blog the following year: “Gaelle Buswel has an amazing voice, extraordinary charm and stage presence, and she…gee, she has a little of that Bruce Springsteen quality of looking like she’s loving every minute of the performance and the communication with the audience.”

Title song of Gaelle Buswel’s latest album.

I saw her perform a few times after that, but it was mostly in watching from afar that I have seen Gaelle’s career take off and actually explode. And with good reason. You can add to the above description her untiring work, application and will power! She works ceaselessly from what I have been able to see in receiving her newsletters for years now and following her career. She has opened for Ringo Starr, ZZ Top and Deep Purple; she has played many of the greatest blues festivals in France and elsewhere in the world, including winning prizes at the Cognac Blues festival, and elsewhere, and she has now just put out a new CD in the middle of Covid, and got herself splashed all over the covers of the French music magazines as a result. It just keeps going upward, this career, and damn the virus! Check out the video of the title song from the latest CD above – oh yes, and I forgot to mention that Gaelle, although French, specializes in not only singing all the rock and blues classics of the English-speaking world, but she also writes her own songs in English….

5) I finally got up the courage to apply myself to today’s post when I saw a familiar face looking out at me through a video on my Facebook, and I decided to give a listen. Joe Danger is a fixture of the Nice bar music scene, and I heard and met him too for the first time almost a decade ago. I last saw him a couple of years ago when I was visiting Nice and eating in a pizzeria with Ornella and found myself sitting at a table beside Joe! We never got to know each other very well, because I was never very long in town, and Joe was never very long off stage. Despite his name, and his perfect English accent, Joe hails from Germany! But he has lived in Nice since the 1980s, and he has been eternally attracting masses of young listeners to his various nights playing music in places like Jonathan’s music bar. I’ll never forget the first time I saw him play there, in the cave in the basement: The place was empty. Completely. And then Joe took to the stage, and suddenly, within minutes, the room was bursting at the seams with twenty-somethings, all coming to listen and go crazy to Joe! He was in his mid-to-late 50s! But he had something they loved! And as soon as his set ended, they all deserted the bar….

Joe Danger singing his “Let’s Get Rich” song.

I am putting up the video I saw of Joe’s today because I think this song he wrote, “Let’s Get Rich,” speaks totally, completely and perfectly of the feeling of the moment for musicians who make their livings out of playing live music, especially in bars. While it is telling the story of low-down times and lack of money, it is the act of writing and playing – and Joe says he is currently about to record it with a band – that shows the kind of backbone, faith and spirit of fighting on that is really behind all of these musicians at this difficult moment. Way to go Joe Danger! Way to go all of them!

PS, don’t forget to check out my own lockdown effort that I posted about recently, which is my song about our crazy, sick world of the moment on another level: “What’s All This Talk!?!”:

My own song, “What’s All This Talk!?”

A Year of Creation @ TAC Teatro, and the Incredible Synchronicity of the New Show

August 3, 2020
bradspurgeon

A scene from TAC's Latest show

A scene from TAC’s Latest show

Despite the lockdown, despite the Paris transport strike, despite the gilets jaunes, despite the mice we had at home for a while, and finally, despite the two-month-long illness that I had in January and February that was apparently NOT coronavirus, everything worked out fine in the extraordinary year of work that we all had at TAC Teatro, of which Ornella Bonventre is the director, and I and six others are actors. It culminated with a high moment at the beginning of June when we began to make a fabulous video of our show that we are hoping to complete soon.

Although Ornella created TAC Teatro several years ago and it had some success based in Milan, when she moved to in Paris in 2017, it was impossible for her to not transform the project into both an Italy- and France-based company.  But there was much work and preparation involved in rebuilding the company in her newly adopted location. After spending her first year in France shuttling back and forth regularly to Italy to operate TAC there while living in France and laying the foundation for the company in its second country, she finally settled down to working full-time building the company with new actors in France.

Marine Lefèvre and the old woman

Marine Lefèvre and the old woman

That began last fall in what proved to be difficult timing: starting with the gilets jaunes occupying the streets every Saturday (which did not really directly affect the project) and then the metro strike came in November and lasted for around two months – the longest ever such strike – and made the challenge of creating the company all the more difficult, as the actors had to come for their training, creation and rehearsal sessions three times per week by foot, car, bike or any other manner possible aside from metro from all around Paris.

We thought that would be the worst of it, when along came the Coronavirus and its lockdown. Still, the metro strike gave us all the fighting spirit and a sense of imagination so we were able to continue creating the show and training during the lockdown through three-times-per-week online video conferences.

When I say creating the show, here’s what I mean: Since last fall and the beginning of this new phase of TAC Teatro, the actors of the company used the method that Ornella specializes in for creating theater shows: The French call it écriture de plateau, and it entails the actors all together, along with the director, writing the show through body actions, personal texts, music, improvisation and an original idea that Ornella presented to us in the form of a story that was intended to fire up our imaginations and get our creative juices going.

Poster for Première Etape in October

Poster for Première Etape in October

We performed a first “work-in-progress” show of the piece in the small theater at the Theatre Armande Béjart in Asnières-sur-Seine in October, which we called, “Première Etape,” or first step, and it was well attended by the public. We were about to do the second stage of that in February, after we spent a week the whole company together working in residence in Italy in Emilia Romagna. But, yes, the day we were supposed to put on this second show for the public, France declared that anyone who had been in Emilia Romagna in the previous 14 days had to go into quarantine, as it was the epicentre of the then “young” coronavirus in Europe. So we had to cancel the show. Fortunately, however, none of us got sick of the virus.

Then came the Paris lockdown a couple of weeks later. We continued working online, but we had to cancel the premiere of what was going to be the completed show, which we had scheduled to perform in Asnières in late May.

Still, the story had a happy ending when in early June the mayor’s office of Asnières donated to us the big stage of the Armande Béjart Theatre, as well as the city’s technical crew, to film the piece. It was a gesture to help out the creative sector, so badly hit by Covid.

Now I want to talk very briefly about the extraordinary synchronicity in the creation of this show, which for the moment we are calling “Terminus,” but which might change its name before it is staged. There was an amazing foreshadowing of subsequent world events reflected in this creation that we did not do on purpose, but that somehow came about of its own accord. In brief, the piece is about a group of immigrants who come from various parts of the world to a land where they hope to make a new life. They are, in fact, badly treated by the locals, and even duped by the military, and their world begins to fall apart; just as had their own countries before their emigration.

During creation in Italy as the Constructeurs de Reves

During creation in Italy as the Constructeurs de Reves

Working behind them, invisible and unknown to them, however, are the “constructeurs de rêves,” or the dream creators, who try to help them. The dream creators are dressed in white doctors’ coats and work in another layer of reality to try to change the course of human actions.

When the coronavirus came along, the show took on another sense to us, as we could not believe the way our futures – the future of the whole world – had fallen into the hands of doctors in white coats, and for everyone on earth almost without exception, their world had fallen apart.

Janice Zadrozynski in character for the TAC show

Janice Zadrozynski in character for the TAC show

I have often found while writing creatively that such strange synchronicities with real life do indeed happen. And now that we have almost completed the show, we hope that the constructors of dreams will allow the world to get back to some state of normalcy in the coming year so that we can finally perform it in public. I will keep you posted on this blog as to what happens.

The company consists of Ornella directing and the following actors acting, performing, playing music, and writing the show all of us together: Julie Lossec, Janice Zadrozynski, Marina Meinero, Pacôme Puech, Marine Lefèvre and Sara Baudry. You can find all of our bios through the TAC Teatro “About us” menu.

And, by the way, I have only spoken about our new show here, but we also performed in public this last winter doing a street action to commemorate the day against violence to women, for which we also created quite a complex flash mob performance, and we ran an online open stage for all kinds of performances throughout most of the lockdown . So it was, in the end, a productive season for TAC Teatro, despite all the elements and human nature itself seemingly fighting against us.

In Castellammare del Golfo, the Calm After the Storm … with a Bit of Mafia on the Side

July 25, 2020
bradspurgeon

Castellammare del Golfo

Castellammare del Golfo

CASTELLAMMARE DEL GOLFO, Sicily – How many times during lockdown in Paris from March to May this year did Ornella and I say to each other that if we managed somehow to get to our favorite summer retreat again this year we would feel blessed? No doubt too often to count. In any case, we have now been here for three weeks, and we still feel blessed every day. After the confinement of lockdown we find ourselves in an average of 30 degree temperatures, cloudless skies and warm, smooth Mediterranean waters. Still, it might be the calm after the storm, but I am reading the Italian press daily to keep an eye on the possibility of rough waters to come, and a storm after the calm. Needless to say, it is a holiday like none before….
But this small former fishing village of Castellammare del Golfo – the castle on the sea – on the north coast of Sicily, less than an hour’s drive from Palermo, is about as good – and for the moment safe – as holiday locations can come. Sicily was not as badly hit as the rest of Italy with the virus, suffering still to date fewer than 300 deaths, and around 3000 infected (that’s a pretty high percentage of deaths per infections, though, isn’t it?) Since we came here, though, the town of 15,000 people is filling up rapidly with tourists from the rest of Europe, and we hold our breaths and wear our masks in an effort to believe that things will not this summer get out of hand here as they have in some other vacation spots in Europe, such as southern Spain.

We chose to give ourselves a quick escape method should things go wrong, by having driven here from Paris in my old Ford Focus, taking the ferry boat from Genova to Palermo, with the car aboard. It was a peaceful, fun, in fact magnificent journey, topped off on the boat by a fabulous seafood pasta in a restaurant that only we and an English couple, and perhaps another one or two people, decided to use. So there was little worry about the virus spreading there! The point was that if the pandemic grew back into the danger zone, as it has in Spain, we could just jump in the car and drive back to Paris or some other country. (Plus the flights were getting really expensive.)
A Free Music Performance in Castellammare del Golfo

We feel so blessed to have had this summer in Sicily, in fact, that this year we decided that we would live it a little differently than in past years: This year is devoted to staying as much at home and at the beach as possible, while avoiding the center of the town as much as possible on the weekends. The reason for that is that if you are currently aware that there is a virus out there, you would be entirely unaware were you to venture out into the nightlife of Castellammare del Golfo this summer: It is difficult to find any bars or restaurants not bursting with clients wearing no masks as if there were no cases of the virus at all on this island. (And, yes, that is actually almost true: the known daily cases are rising in single digits at the moment…but….)

In years past we had decided that every year we would discover a new part of this historical jewell of ancient Mediterranean civilisation. But this year, as I said, we are staying put and feeling blessed. Personally, I decided that I would use my experiences of learning about the island in the past years as a base for a new project: Reading the daily Giornale di Sicilia not only for the coronavirus statistics, but also in order to practice my Italian, and make a real, strong effort to finally learn the language as well as another way of exploring the local culture and getting to know the place of Ornella’s birth and childhood upbringing much better.

And what an education it is turning out to be. In addition to reading stories all about the places I have visited in the last few years with Ornella each summer – Marsala, Palermo, Trapani, among other cities, and such ancient archaelogical sites as Segesta or the Valley of the Temples outside Agrigento (which is also the home of Pirandello, Camilleri and Sciascia), as well as Scopello and Erice, the medieval town on the hill – I have found the second most comprehensible stories for my limited Italian to be those about all the local crime. Yes, like any such local newspapers, the Giornale di Sicilia – preferably my local Trapani edition – brings me daily news of mafia arrests and crimes.

Joseph Bonanno

Joseph Bonanno


This is particularly interesting to follow as it turns out that this beautiful small town of Castellammare was itself the birthplace of many of the figures of the legendary New York City mafia in the 1920s and 1930s, including Joseph “Joe Bananas” Bonanno, Salvatore Maranzano, Vito Bonventre, and was the base in Sicily of Don Vito Ferro who decided to try to take over control of the New York mafia from Giuseppe “Joe The Boss” Masseria – who had the famous future boss “Lucky Luciano” on his side – and they all got into a battle that became known as the Castellammarese War – named after this town, yes – that lasted from February 1930 to Apr. 15, 1931. The faction from this town won that war, by the way, but then the whole crime syndicate would change form, leading to the so-called sharing arrangement set up by Luciano and called “The Commission.”
Ornella Bonventre at the Greek Theater in Segesta, Sicily

Ornella Bonventre at the Greek Theater in Segesta, Sicily

Falcone and Borsellino

Falcone and Borsellino


I see this beautiful little seaside town more like a future Monaco, however, and I hope it takes as long as possible before any such transformation happens. But the nightlife grows every year, the real estate value grows, and the boats keep getting bigger. For Ornella and I, as I say, we are enjoying the calm, the sun and the sea. And it turns out that there are numerous free concerts and other events – notably, and partly on the theme of this blog item, we saw a theatrical production the other day about a fictional interview with famous Palermo anti-mafia judge Paolo Borsellino, who was assassinated by the mafia in 1992 (weeks after his fellow Palermo anti-mafia judge Giovanni Falcone was also assassinated)….

So, after the storm, a break. Let’s hope it continues. I’ll check back in as soon as possible with more news about virus life from here or elsewhere….

Borsellino Theatre Piece in Castellammare del Golfo

Borsellino Theatre Piece in Castellammare del Golfo

Powered by WordPress.com.