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TAC Teatro’s Paris Flash Mob and Performance for the Elimination of Violence Against Women

December 4, 2019
bradspurgeon

TAC Teatro in Les Chaussettes Rouges

TAC Teatro in Les Chaussettes Rouges

We took a short break from the creation of our work-in-progress at TAC Teatro in order to put together and perform a commemoration for the International Day for the Elimination of Violence against Women. Originally intending to put on the flash mob and short performance in Asnières-sur-Seine, where the company rehearses, we had a last minute change of plan and did it all in Paris. So it was that putting on this performance we called “Les Chaussettes Rouges” (The Red Socks) was pure delight.

In the middle of a few weeks of desperately cold, rainy, horrible weather, our target date of 24 November, the day before the official date of the United Nations commemoration, we ended up with sun all over town. It could not have been a more beautiful day, and so it allowed us to use several different locations for the flash mob, and another location for the performance, as we spread the names of women victims of violence across the city where the day before there had been a demonstration of 45,000 people in support of the same cause.

As you can see in the above video that we made of the day, we started by rehearsing what we planned in a small, quiet backstreet of the Place de Clichy. Then we put on the first flash mob at the beginning of the Boulevard de Clichy. After that, we walked to the Place des Abbesses, in Montmartre, where we did the second flash mob.

We performed a third flash mob at Stalingrad, in the big place by the canal, and we did the performance in the park of Belleville in a kind of modern take on an ancient amphitheater. Present were all of the actors of TAC Teatro and a couple of the students from TAC’s acting school.

It was quite an emotional, but also liberating, day, as we moved through the city as a group and performed for a surprised public, looking and pointing to the sky for the victims of domestic violence. The flash mob and performance was something we all wove together in a few days preceding the event – with lots of thought having gone into it in the month before, week to week, as we continued to prepare our show.

It was, as Ornella Bonventre, the director of TAC Teatro said, the preparation for the event that was as much an act of contributing towards this cause as was the actual performance.

Now back to work on the show!

The 27th Hour: Women’s Rights with TAC Teatro and others, in front of the Pompidou Center in Paris

May 11, 2019
bradspurgeon

Playing to the 27th Hour at the Pompidou – Photo: © Morgana Stabile

PARIS – Performing in front of the Pompidou Center last Sunday afternoon, I had my first taste of dancing in a choreography.  I feel often like the world’s worst dancer, and although music is at the center of my life, I hate dancing.  I love to watch fine dancers, I just feel that I cannot do it.  But the choreography on Sunday was in the form mostly of a kind of boxing movement, and we were in a big enough group that I felt I could fade into the mass and not be seen!  So why did I do such a thing in front of the famous Pompidou Center – and in front of several cameras filming it?

Simple:  I, like the other 14 or 15 people who took part in the performance – called “La 27ème heure” – was invited by Ornella Bonventre and her TAC Teatro, with which I have performed occasionally over the last couple of years.  Most importantly:  The event was designed to fight violence against women.  Another detail for why I participated was that in addition to the dance, I was told I could sing a song and play my guitar. So that gave me the inspiration to try the rest….

https://ellepi.zenfolio.com/blog/2019/5/27-me-heure

So it was that the 15 or so artists, musicians, dancers, actors, had been rehearsing for several weeks to put together this street action in defence of women’s rights.   Although it came months after the usual day of women’s rights, TAC Teatro, which is new in France after several years of success in Italy, has since 2011 put on events annually in support of women’s rights in the streets in Milan, and Ornella was keen to continue this TAC tradition in France, with no need to fit any particular anniversary date.

For this, she put together this team of performers not only from her own group of artists who take part in her TAC Teatro high-level Monday morning actors’ training sessions, but also joined forces with the prestigious ARTA (Association de Recherche des Traditions de l’Acteur) based at the Cartoucherie in Paris, part of the Théâtre du Soleil group.

Choreography of the 27th Hour at the Pompidou – Photo: © Morgana Stabile

And so commenced several weeks of artistic creation for the Pompidou performance. Very early on the street action transformed from the kind of spectator participation event that TAC usually does into a performance in which the spectators were just that – invited to enter mentally into the performance, if not physically or vocally – and based on a choreography directed by Philippe Ducou, of ARTA. Ornella and the other artists proposed texts related to women’s rights.  

In addition to her experience in performing street actions for women’s rights at TAC Teatro, Ornella also has frequently staged the “Vagina Monologues” of the author Eve Ensler, in Italy, in Italian.  So several of the spoken texts came from excerpts of the “Vagina Monologues,” and were performed in several languages – French, English, Romanian, Vietnamese.

Ornella gave the event the name “La 27ème heure,” or “The 27th hour,” after an Italian study that showed that women have days that consisted of 26 hours – to take care of their jobs, their homes, their children, their husbands, etc. – where men need only 24 hours. The 27th hour is the hour that the women should have to be free and do as they please, to escape from their burden however they wish.

More choreography of the 27th Hour – Photo: © Morgana Stabile

In the end, we put on a 35-40 minute performance, ending with my singing of the 4 Non Blondes song “What’s Up!” as I circled the dancers and finally incited both the artists and the spectators to sing along.  Luca Papini, a Paris-based teacher, photographer and filmmaker – invited to the event by Ornella – made a 5-minute film of the performance and put it on his blog. It’s a fabulous tribute, and paints a beautiful picture of the event, so I am sharing the link to his blog item with the video.

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