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In Memory of Jim Haynes: End of an Era, but not of a Philosophy of Life

January 12, 2021
bradspurgeon

Jim Haynes

Jim Haynes

PARIS – Not long into reading Jim Haynes’s autobiography, “Thanks For Coming!” in 1984, shortly after it was published, I said to myself, “I am certain I will meet this man.” I lived in Paris, as did he, I was interested in the expat literary and cultural world, and he was at the center of it, and my bookstore of choice was “The Village Voice,” on the rue Princesse, which it seemed impossible that he would not know. A meeting had to happen.

As it turned out, sitting in the back of that same bookstore, drinking a coffee and eating a brownie, and reading Jim Haynes’s book, who should walk in but Jim Haynes. With his big moustache, and slightly drawling accident, he was easy to recognize. I wasted no time in approaching him and telling him of the coincidence that there I was reading his book at that very moment and in he walks! So began a 37-year-long friendship that came to an end two days ago when Jim died at the age of 87. In fact, as anyone who knew Jim knows, it was not just Jim who left us, but a whole chunk of cultural life in Paris (and dare I add a cultural life of the 1960s and 70s in Britain too), and a living, walking, smiling philosophy of life.

Thinking about his life in the last few days since he left us on 6 January, it struck me that Jim was born in the same year that Hitler took power in Germany, and that he should die in a hospital in Paris at the same moment that the Capitol Building in Washington D.C. was being raided by violent haters, was very significant: Nothing could be further from Jim Haynes’s philosophy of life than the hatred that both Adolf Hitler and Donald Trump knew so well how to manipulate in their followers. Jim was all about love and togetherness and sharing; and if that sounds like some kind of 1960s hippie peace sort of dreamy approach to life, well, not only was it just that, but Jim successfully – and contagiously – lived by it right to the end.

I will not spend time on this blog post reiterating the events of his life. That has been well handled all over the place, including in this obituary about Jim Haynes published in The Guardian, or on Jim Haynes’s own web site. The only thing I feel I can bring that would serve any purpose beyond what everyone else – and he himself in that autobiography as well – would say, is my own experience of Jim. And I look forward to reading many more such accounts by the other legions of people from every walk of life who knew him.

Even so, in a nutshell: Born in the U.S., in Louisiana, after coming to Europe in the military, he decided to live in Scotland in the 1950s, where he created the first paperback bookstore, then helped found the now-famous Traverse theatre, before then moving to London where he founded the Arts Lab theatre space, and the International Times newspaper. He then came to Paris on a teaching assignment at the University of Paris, and stayed the rest of his life here, writing, holding Sunday dinner salons for more than 40 years, creating his publishing company, as well as many other manner of homegrown artistic thing.

Jim Haynes Autobiography

Jim Haynes Autobiography

Jim also, by the way, wanted to meet and know everyone in the world, and it was for that reason that I had no qualms about introducing myself to him in that bookshop. After that first meeting, we had many different kinds of meetings or communications over the years, never as close friends, but always as welcome friends. In the early years he would periodically call me up while I was working in the library of the International Herald Tribune – a newspaper that he read daily – in order to find some clip or other fact that he needed for whatever purpose. We would talk for a while, I’d find what he was looking for, and life went on.

I met him on occasion at the various book launches and small press nights at The Village Voice, at Shakespeare and Company or other meeting points during the period of the 1980s when it felt as if the literary expat world of Paris of the 1920s and 1930s or even the 1950s had returned. Several young expats from the English-speaking world decided to create their own literary magazines, and Jim, who had his own Handshake Editions at the time helped to encourage many of those young people with their literary magazines and actions. “Frank,” by David Applefield, was one of those, John Strand, who went on to have an excellent career as a playwright had another called “Paris Exiles,” and a woman named Carole Pratle had one called Sphinx. And, yes, Ted Joans, the famous beat poet was hanging around too. Jim had even helped advise AND occasionally work for Odile Hellier, the owner of that very same Village Voice bookstore where we met. (Applefield, by the way, who spent most of his life in Paris until he returned to the U.S. a couple of years ago, ran for Congress last summer, lost, and died suddenly the next day.)

One of the astounding things about Jim was just how many people he did indeed know. And the range of the kind of person they were. From the famous to the unknown, it didn’t matter who you were or what you did. He just liked people. But more important, even his act of knowing people was not something only for him: He loved to introduce people to each other, to make connections, to start relationships. One of his ventures was a global address book, comprising many of the people he met. And his famous Sunday dinners in Paris were always an occasion for Jim to introduce people to each other, and I mean in a really, outgoing, almost formal way: “Brad this is so and so; so and so, this is Brad.” That sense that we were all there to meet and share was one of the first signals you would receive upon entering the dinner.

On one of our early meetings at his home in the 1980s, I went because I learned he had some kind of recording studio at home and I wanted to record a couple of songs and a piece of prose writing I had done. I secretly hoped he would love it and use it in his then popular “Cassette Gazette,” a cassette tape collection of all kinds of writing and music and everything else you could put on tape. He showed no interest in the written piece, but he did sincerely and with some surprise in his voice, compliment my recording of the Raggle Taggle Gypsies song. At the time I was no longer playing music in public and had no ambitions to do so. So I was a bit pissed off he liked the song but not the writing!

That recording, by the way, was done by his longtime friend, Jack Henry Moore, who I knew nothing of at the time, but who I would eventually learn was also very much at the center of the underground of the 1960s. Jim wrote a Jack Henry Moore obituary for The Guardian when he died in 2014.

That, I believe in fact, was my first visit to Jim’s atelier at 83, rue de la Tombe Issoire, where one of his illustrious neighbours and friends was Samuel Beckett, by the way. Yes, Jim was friends with countless literary people, including Henry Miller, another one-time Paris expat, and he had a long running friendship with the book publisher, John Calder, with whom he founded the first Edinburgh international book festival. And to my delight and surprise, he had also corresponded with Colin Wilson, one of the original Angry Young Men of British literature, whom I would later meet, interview and befriend. I was delighted to be able eventually to give to Jim a copy of the interview book that I did with Colin Wilson. How strange the world is! (I recall now that I had also run into Jim at the Frankfurt Book Fair the one time I went there, which he attended regularly, and he introduced me to Calder.)

From a coffee and brownie meeting while reading his book, and him calling me up as a librarian at the IHT, soon he would be complimenting me on “writing half of the IHT newspaper,” or however he put it, while referring to all my regular Formula One writings and multiple-page special reports in that paper. He had treated me with the same respect as a support staff member of the IHT as when I became a regular journalist for the paper. Over the years we would meet in various circumstances, maybe at an organized play attendance followed by a dinner with a small group of people whom he had encouraged to see his friends’ play – or at a Sunday dinner at his atelier.

In another interesting Jim Haynes phenomenon, through the decades the number and kinds of people who I knew and who I learned also knew Jim Haynes grew and grew. They would, again, be from different countries around the world, and my relationship to them would vary completely, never being entirely to do with journalism or the arts, so vastly large was his relationship “footprint” around the world.

Jim Haynes and Varda Ducovny, with host Grace Teshima behind. Photo © Seamas McSwiney

Jim Haynes and Varda Ducovny, with host Grace Teshima behind.
Photo © Seamas McSwiney

One of our more recent meetings happened four or five years ago at a book launch of a friend of his, Varda Ducovny, in a home art space in Paris, in Montmartre. I had met Varda at one of the above mentioned dinners. At the end of the evening, he left a few minutes before I did, and as I descended the stairs of the building, I found Jim, sitting oddly on the bottom stair, with a couple of his friends either side. He had fallen and hurt himself; in fact, he had fallen before the start of the evening, and despite being in pain throughout, he stayed for the full launch and cocktail ceremony. By then in his early 80s, such a fall felt ominous. And as it turned out, it really was the beginning of a series of incidents that would remove from him his strong good health and easy mobility.

One of our last meetings I now see in a short recorded interview that I did with him for some research that Ornella was doing, was in January 2018. Three years ago. While he was 100 percent there mentally – and morally, ie, in his usual good spirits – I seriously worried about how many months he might last. That he lasted three more years is testament to his incredible inner strength, which I put down to that Jim Haynes optimistic, happy, loving and thankful philosophy of life.

Ornella found a key to that philosophy in the book he had given her that day three years ago, a copy of his book, “Everything Is!” She posted these words from the book on her Facebook page, and I agree with their profundity, so I finish this post with them too: “Some people say that when they are happy they sing and dance. But I say: when I sing and dance, I am happy!”

Scoop!: A Surreal Reading of the NYT Obituary of Keith Botsford, Published a Year after his Death

June 17, 2019
bradspurgeon

Keith Botsford in a YouTube interview (before his death)

PARIS – I just had the most extraordinary obituary reading experience of my life.  And I must have read obituaries on an average of at the very least once per week for the last 40 or so years.  It felt at times as if I was reading satire, or high comedy, or was it low comedy?  It felt often like reading something out of “Scoop,” the satirical novel of the newspaper business by Evelyn Waugh.  Although I only saw it today, this obituary ran in The New York Times three days ago under the headline:  “Keith Botsford, Man of Letters and Saul Bellow Associate, Dies at 90.”   And the wild experience plants itself – as all good journalism should – right in the first paragraph (or lead, or lede):  “Keith Botsford, a globe-trotting, multilingual and multifaceted man of letters who became a longtime collaborator with Saul Bellow, died last year, on Aug. 19, in London — a death that drew little public notice at the time. He was 90.”

My first thought was that it was great that The Times decided to run his obituary despite him having died a year earlier. But then in the second paragraph I learn that his death did not really go so unnoticed as all that:  “His death was noted two days later by The New England Review of Books on its website and, 16 days later, in a 25-word paid death notice in The Boston Globe, but it was otherwise not reported widely. The Times of London published an obituary two months later, and the Boston University alumni magazine, Bostonia, noted his death in its recent winter-spring issue.”

This reminded me that I had read last year the obituary by The Times of London, or was pretty sure I had. They are among the best obits in the world, and they are quite widely read and authoritative.  So it seemed to me that the media that really missed Mr. Botsford’s death was more The New York Times, not really the wider world as such, as the first paragraph indicated.  This was, in short, no scoop!  But it led directly and immediately to the next extraordinary moment in this reading experience in the third paragraph:  “The New York Times learned of his death on Thursday while updating an obituary about him that had been prepared in advance in 2014. Reached on Saturday, his son Gianni confirmed the death.”

Wait a minute!!!!  Hold it!!!!  Ever since the horrendous Jayson Blair incident at the NYT, when an up-and-coming reporter was found to have fabricated a large number of his articles – i.e., made up the stories, the quotes, and even the travel expenses (as he sometimes claimed expenses for trips not taken, the stories having been written at home) – the NYT devised a number of new rules about reporting that I find absurd, and which it has in many cases stuck to ever since.  One of these is to say exactly where a person was interviewed from:  ie, “said Mr. So-and-So in an email”  or “said Mr. So-and-So in a telephone call” or “said Mr. So-and-So in a text message” etc., which personally I have always found interferes with the reader’s experience of trying to learn about what was said and not how it was conveyed to the reporter.

And one of the often most infuriating – to me – such rules, which I remember as coming from that same Blair period, was the one about having to have confirmation from a family member or some official of the death of the subject of an obituary.  So here we are with the venerable New York Times giving us an obituary in which we are told that the subject died almost a year earlier, that it was reported in several major publications and that there was even a – perhaps obligatory – death notice bought in the formerly NYT-owned Boston Globe…and we have to have the NYT call up the son of the subject of the obit and ask him to confirm the death to put the suspicious reader’s doubts at ease!?!?!  Despite abundant proof that the subject died a year earlier?

This is also the point when the satire of the form of the article begins to create an even wilder mix with the subject of the obituary.  The next paragraph, right below that stylistic convention in the NYT – here absurd – begins with this sentence about the subject of the obituary:  “Mr. Botsford was a fluid, prolific writer unfettered by the boundaries of form or genre.”  I said to myself, “So what the hell then would Mr. Botsford be thinking now about this boundary of form of the genre, I wonder?”  That the NYT had to ask for confirmation from his son despite ample proof he was dead and gone…or if not ample proof, then at least nearly a year has passed, which would be plenty of time for Mr. Botsford to write letters to the editors of the venerable publications that announced his death, complaining, as another famous writer had, that reports of his death were greatly exaggerated.

We now learn that Mr. Botsford was “a novelist, essayist, journalist, biographer, memoirist, teacher, translator and founder, with Bellow, of three literary magazines, most recently News From the Republic of Letters. … A Renaissance man, he also composed chamber works, a ballet and choral music, and was fluent in seven languages and able to read a dozen.”

Here we begin rising even higher in this crescendo of the extraordinary nature of this obituary and its subject:  Botsford’s life was a tale that might stand beautifully alongside that of Woody Allen’s Zelig, for being a man all over the map, except here Botsford’s talents are clearly exceptional, and not just some chance thing.  (In addition to his literary exploits, the article tells us that, “By his account he served as a spy in Eastern Europe and the Middle East.”)

But then the obituary’s extraordinary nature pokes its head out again a couple of paragraphs later with our first “live” quote from the subject of the obit when describing his first meeting with Saul Bellow in the early 1950s at a party, which would lead to the two writers becoming lifelong friends and colleagues:

“It was Saul Bellow, and he was pinned against the wall by a dreadful man from Winnipeg,” Mr. Botsford recalled in an interview for this obituary in 2014. “I had just read ‘The Adventures of Augie March,’ so I walked up and started talking to him.”

Bellow, left, and Botsford

Bellow, left, and Botsford

Hold the presses again!!!!  Our first quote from the deceased comes from an interview that was done by the author of this very same obituary and for the purpose of this very same obituary that we are reading.  What?!?!?  I may have been very inattentive in my reading of obituaries, but I feel this is the first time I have been informed that the subject of the obituary was interviewed by the writer of the obituary for use in the obituary itself.  Is this morbid?  Well, thank goodness they informed us in the beginning of the story that the son of this man confirmed to the NYT that this man was indeed dead.   Otherwise, reading that he had been quoted here from an interview he did FOR this obituary, I might have thought him still alive and taking part in some kind of a practical joke about his own death notice….

Wild!  But it also makes me feel as if someone at the NYT must have said, “Gee, we went to so much trouble to write this obit, including interviewing the guy, and we then missed his death and never used it?!  Come on.  Let’s not waste this.  Get it in print.”

The obituary then spends several paragraphs talking about the relationship between these two men – is it more about Bellow than about Botsford?  No, no.  – until I get to a part where I learn that Mr. Botsford and I have something else in common aside from both being fans of Bellow:  “In his journalism, Mr. Botsford was equally at ease writing about movie stars, concert pianists, bullfighters, novelists and race drivers. Formula One racing and the Boston Red Sox were two of his passions, along with literature, music and food.”

Formula One racing!  Which, yes, I wrote about for a couple of decades for the NYT and its International Herald Tribune edition (although I have no longer been employed by either paper since 2016, and I still love reading the NYT, as this rant makes clear).  But that’s just a personal thing that lit a fire for me, and probably has no place in this rant!

We find he also published some two dozen novels, and had the university education and degrees of about three or four people all rolled into one.  We learn that he was born in Europe, and his family background was as fantastic as his own life, particularly the larger than life tale of his mother and her family.  Her name was “Carolina Elena Rangoni-Machiavelli-Publicola-Santacroce,” and, continues the article, “He said that his mother was a descendant of Niccolo Machiavelli and that his father’s ancestors had helped found Milford, Conn., on Long Island Sound, in 1639. Mr. Botsford recalled his maternal grandmother employing 120 servants at her house near Recanati, Italy, on the Adriatic Sea.”

Wow!  Love it!

Picasso and Jacqueline

Picasso and Jacqueline

He ended up moving to Costa Rica and living in a fabulous home overlooking the sea, a house designed by his son, an architect – and the very man who confirmed his father’s death to the NYT a year after it happened – and then one of the most extraordinary moments of all, the kicker, for me, of the tale of Keith Botsford’s extraordinary life:  We learn that he was married three times, and that his last wife was 52 years younger than him!  That stands as a record for me of age difference in spouses, far outdoing even Charlie Chaplin and Oona O’Neill’s 36-year difference, or Picasso and Jacqueline’s 45-year difference!

So here, the subject of the obituary finally takes over in wonderment from the form of the story completely – form follows function at this point – and we are left with a feeling that this was absolutely a unique, extraordinary person, and thank goodness the NYT chose to publish this story, even one year too late.

Having said that, the subject of the obit and the tale of the obit itself, its writing form, come together again in the kicker that the NYT writer left us with.  The following concept may be true of Bellow and Botsford, but it is also clearly true of the way this obit was written – whether intended or not:

“Whether writing fiction, journalism or biography, Mr. Botsford always kept the reader in mind. For this he thanked Bellow:”

“As my dear friend Saul Bellow put it to me, ‘Take the reader by the hand, Keith, and he will follow you anywhere.’ Or as I tell my students, ‘You are not writing for me, but for the world. Or at least for your Aunt Nellie in Boise, Idaho.’ ”

Something tells me that Keith Botsford would have been amused.

 

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David Douglas Duncan, a Great Photographer, and an Equally Great Man, Dies

June 9, 2018
bradspurgeon

Duncan and Picasso

Duncan and Picasso

PARIS – A 102 year old chapter of history ended on Thursday with the death of David Douglas Duncan, one of the world’s greatest photojournalists, a man who had started his career with a photo of the gangster John Dillinger in 1934, before documenting several wars and many iconic historic events, while also making a sideline career of photographing his friend Picasso from 1956 to the artist’s death in the 1970s. It was also the end of a five-year long chapter in my own life, from when I first learned that Duncan was a fan of Formula One racing, read my coverage of the series in the International Herald Tribune and wanted to talk.

Meeting DDD – as he was often called – in 2013 and maintaining a relationship occasionally over the telephone since then was the most satisfying consequence of my 25-year Formula One writing career. It also kept me humble to think that stories I wrote would be read by a man of this stature. But it was learning from the example of the man himself that was the most important aspect of having known DDD.

You might expect a man who had met and photographed Gandhi, dined with Khrushchev, befriended Picasso, and been in WWII, the Korean War and the Vietnam War among countless other jobs and experiences would be somewhat unapproachable, full of himself and perhaps haughty. But I don’t think I ever met a man as humble, genuine, simple in his personal approach to people, and gifted with an ability to make people who met him feel great about themselves. In fact, I was reminded again and again of a quote I had once noted in my youth by G.K. Chesterton: “There is a great man who makes every man feel small. But the real great man is the man who makes every man feel great.”

I could not believe my good fortune in having known Duncan. I learned through a common friend in Formula One that he wanted to contact me about a story I had written, which he wanted to use as the preface to a book of photos of Formula One that he had taken off the Monaco Grand Prix on the television. I got in touch at the end of 2012, and found it was a story I had written in 2000, which he still remembered the details of! It turned out also to be the most unexpected revenge – in my mind only – against an editor at the newspaper who had pulled the story from the page before publication, as he thought it was not worthy of the newspaper. (Another editor defended it, and it was published the next day.) I got a copy of the story to DDD, and then with great pride again, I watched as he prepared the book and ran my story as the preface.

David Douglas Duncan Soldier

David Douglas Duncan Soldier

I then went to meet him, and his wife Sheila, at their home near Grasse, in the south of France. While there, I asked him if I could do an interview with him, as just meeting him had given me the idea of running a regular column of interviews with famous Formula One fans. He said I could, and told me just to call when I was ready. He was just days away from turning 97, and quite honestly, I was very worried that at that age, I could lose my opportunity, as he might die any day. In fact, while he walked most of the time with a cane after a broken hip, he was still going around his home up and down a hugely steep and narrow stone staircase with no railing – another reason I feared for the future – and was in fact in such incredible health that, yes, he would go on to live more than five years more.

DDD's first Picasso photo

DDD’s first Picasso photo

I cherished every time we spoke – the last time was in February – even though our typical exchanges would be quite short, as he seemed not to want to intrude! So I was instantly plunged into shock and remorse yesterday when I saw the headline about his death while reading my daily New York Times.

Duncan was truly a great man, and the greatest part was what he gave to others. I recall asking him what his favourite subject to photograph had been in his life, and while I had expected to hear any of the usual things – Picasso, a war, a great leader or the jewels of the Kremlin – he said it had been one of his most beloved dogs. He had even made a book of photos of the dog. It was the genuine response of one of the most genuine people I have ever met.

I am today posting on this blog the interview that I did with Duncan that day in January 2013, and in future I hope to perhaps create a kind of video of his photos and the sound recording of the actual and full interview I did with him, which was at least an hour long. But for the moment, here is the interview with David Douglas Duncan as it appeared in the International Herald Tribune, and New York Times in 2013.

Obituary for the Baroc: End of Paris’s Most Quirky Open Mic

October 31, 2015
bradspurgeon

Le Baroc open mic

Le Baroc open mic

And speaking of Paris open mics – i.e., yesterday’s guest post – the news for next week is depressing: One of the mainstay open mics in Paris, and certainly the most quirky open mic in Paris – and I love quirky – will cease to exist as of this coming Tuesday. The Baroc bar’s open mic, which I have written about extensively, and which I first attended in December 2008, on my return after decades to playing in open mics, will put on its final open mic on Tuesday, because the Baroc bar is closing down. I will not say anything else, but rather, post this compilation video that I made for the open mic in July, not having any idea at the time that it would cease to exist within a few months. So here is its epitaph – or should I call it its “obituary” (well, it’s not dead until Tuesday, but what the hell!):

My compilation video of the Baroc bar’s open mic.

A Celebration of My Father’s Life, an Obituary of David Carey Spurgeon

April 15, 2015
bradspurgeon

Spurgeon portrait

David Spurgeon

Today, it is with great sadness that I am announcing on my blog the death of my father, David Carey Spurgeon, who died on Saturday, April 11, in a hospital in Ste. Agathe, Quebec, two days after celebrating his 90th birthday. Although I rarely speak about my family on this blog, I am also announcing with a sense of pride, that I have decided to celebrate my father’s life and achievements here in a formal obituary that I wrote yesterday while waiting for my flight from Shanghai to Bahrain.

My father was a lifelong journalist, notably as science writer at the Globe and Mail in Toronto, and I have to say that a majority of the things that I know about the craft of journalism, I learned from him. I did so both through osmosis and his constant help. That help from him came especially in the early part of my journalism career, and especially in terms of his building up my confidence, at a time when I was receiving a barrage of rejection slips from editors for several years! He was my secret weapon against defeat, telling me what was right, or wrong, about my stories.Spurgeon of Arabia

Although I had considered for this blog to write some personal reminiscences about him, it occurred to me that as a first step, I’d rather take up the challenge of writing a newspaper-like obituary, impersonal, but factual; which is to say, the way that he spent most of his writing life, always trying to be objective, rarely putting himself in the story. I’ll let time take care of the rest of it, and perhaps some day in the future write something more. I have never before published an obituary of anyone, having only made one effort to do so in the past, and having had it rejected.

So here, for the moment, in my blog section of “Blog articles as opposed to posts,” is my obituary, of my father, a trailblazing Canadian science journalist, who covered most of the major science stories of the second half of the 20th century: David Spurgeon: A Life Devoted to Science, Communications and Living Well.

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